Bollywood
Time and again, our films underline the supremacy of man. Modernity is reduced to a matter of packaging. A modern…
Twitter has been rumbling with chuckles and giggles over the last few days with a trending slew of Tweets and…
Twitter was hashtagging the 21st anniversary of the classic Bollywood film, ‘Dilwale Dulhania Le Jayenge’ (1995) a few months ago, a human rights organisation did a fun take on it by asking its followers to feminist up the film’s iconic dialogue, “Ja, Simran, Ja”.
How have we reached a point where non-consensual behaviours in romantic and sexual relationships are criminalised, but parental domination is still legitimised, or trivialised in the name of “Oh, but I know my parent is a good person and wants what is best for me”?
Members of a fandom are not just passive consumers but active co-creators who imagine and build new worlds around their objects of adoration. Fandom communities offer fans the freedom of being able to imagine, create and share all sorts of scenarios, including romantic, erotic and sexual ones.
The statement “We are just friends”, does it make you wonder? Just friends? As in – merely friends? As in…
And so, in the mid-month issue we have Shweta Krishnan examining the place of political incorrectness in stand-up comedy, Rohini Banerjee talking about how fanfiction allowed her to delve into alternative worlds, and…
I was not simply stuck within the binaries of “same-sex” or “opposite sex,” assuming that any reference to “same-sex” is in itself already revolutionary. But the call to recognise friendship, is a call to recognise so many forms of community that are made invisible by the emphasis within a liberal or conservative framework on “marriage” as the only path to family making.
I was not simply stuck within the binaries of “same-sex” or “opposite sex,” assuming that any reference to “same-sex” is in itself already revolutionary. But the call to recognise friendship, is a call to recognise so many forms of community that are made invisible by the emphasis within a liberal or conservative framework on “marriage” as the only path to family making.
As individuals who are now privileged enough to address issues concerning mental and emotional health as compared to our parents and the generations before them, it is still quite disturbing to observe emotional/ psychological violence happening to women at different levels.
While pop culture will continue to exist in the mainstream, it also provides us the scope to create alternative narratives and/ or counter-narratives that question, challenge and unpack the existing stereotypes and norms.
Alankrita Shrivastava made her directorial debut with the film ‘Turning 30!!!’ (2011) and has been committed to telling stories about women from a woman’s perspective. Her second and most recent film ‘Lipstick Under My Burkha’ (2016) has received international recognition and is slated to release in India in early 2017.
Both fiction and non-fiction are capable of great complexity if the making is in the hands of someone capable and complex. I have always held that good films – fiction, non-fiction or hybrid– emerge not from a familiarity with the subject, though that’s essential – but an understanding of the language of cinema.