A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame

Review

Poster of the movie Nagarkirtan. A woman with short hair is leaning her chin on the shoulders of a man who is playing a flute. The name of the movie is written in Bengali, followed by its translation in English that reads “The Eunuch and The Flute Player”. Below it is the text that reads, “A Film by Kaushik Ganguly”, following which is a list of awards won by the movie at the 2018 National Awards.

Locating the ‘Nagar’ in ‘Nagarkirtan’: Identifying the feeling of socio-sexual rootlessness in the Transgender community

The plot of the movie narrates the tale of the love that grows between two people who are struggling to survive in a world of rootlessness and are continuing to make a cosy home for themselves. The love between Madhu, who works as a food delivery boy, and Puti, who survives by singing at traffic signals, blossoms while they cross paths everyday at the traffic signal and the look that they exchange appears to us as if each of them is trying to find a home in the other.
Photo of a smartphone screen displaying the logos of Instagram, Twitter, Facebook and Clubhouse.

A ‘Room’ of One’s Own – Sexuality, Self-expression, and Safe Spaces on Clubhouse

In theory, the concept of the app is a great one – it provides women, queer people, and people belonging to oppressed castes the tea-stall, cigarette-shop type of public spaces for conversation that are available to upper-caste cis het men. The relative anonymity acts like a safe cover, and the app affords a certain autonomy and agency to marginalised people to regulate the kind of conversation that goes on in rooms moderated by them.
Book cover for Erotic Stories for Punjabi Widows by Balli Kaur Jaswal. The cover depicts two women dressed in traditional salwar kameez standing on either side of a series of magenta buildings, enveloped by a silhouetted dome shape of a gurudwara with a deep bluish-purple backdrop. The margins are a dense criss-cross pattern in golden. Two short review extracts are aligned to the top left and top right corners

Book Review: Erotic Stories for Punjabi Widows

The story is so well told and is written with such a light, deft hand that it is almost easy to miss what makes it so quietly radical. To review it within the scope of exploring the coming together of literature and sexuality we must begin with its central cast of characters – the widows.
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