A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame

Sex Work

abstract art showing diversity of experiences

Editorial: Diversity and Sexuality

In our mid-month issue, we have the second part of the Shikha Aleya’s interview with six different people talking about aspects of sexuality and diversity from their own particular space of personal knowledge, as well as work, advocacy, art and activism across diverse fields.
Still from ‘Indecent Proposal’ (1993)

Review: Offers You Can’t Refuse

It was a million dollar question. Literally. The Hollywood film Indecent Proposal (1993) had actors Demi Moore and Woody Harrelson playing, respectively, Diana Murphy, a real estate professional, and David Murphy, an architect, who are childhood sweethearts just within grasp of realising their dream house when recession strikes. They lose their jobs, default on house…
TALES OF THE NIGHT FAIRIES

REVIEW: WHAT SEX WORK TAUGHT FEMINISM: TALES OF THE NIGHT FAIRIES

Five sex workers – four women and one man – along with the filmmaker/narrator embark on a journey of storytelling. Shohini Ghosh’s Tales of the Night Fairies explores the power of collective organising and resistance while reflecting upon contemporary debates around sex work. The labyrinthine city of Kolkata (Calcutta) forms the backdrop for personal and…
A woman stands infront of a car

The Editorial: Money and Sexuality

Aspects of sexuality such as aesthetic taste, body image, sexual orientation, desires and aspirations, self-esteem, gender expression, reproductive choices, and more, are all interdependent with the impact of money in our lives and that of those around us. Indeed, our systemic relationship with money has a direct influence on how we ‘value’ ourselves.
A photo of actors, Rekha and Om Puri from the movie, Aastha: In the Prison of Spring

Review: Offers You Can’t Refuse

For many of us careening to adulthood at the time, these films pushed us to confront our own biases. They asked us to stand in Diane and Mansi’s shoes and ask ourselves, what would we have done? Would we spend one night with a man (Robert Redford, no less) for a million dollars? Would we be able to resist the option that opened up to Mansi? And the truth of it was that this was a difficult question to answer.
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