Sexuality
From not being allowed to work to having their earnings exploited, many women confront economic abuse, a recognised form of domestic abuse.
रुपसा मल्लिक द्वारा लिखित सोमिंदर कुमार द्वारा अनुवादित पिछले दो दशकों से प्रजनन प्रौद्योगिकी (रिप्रोडक्टिव टेक्नोलॉजी आरटी)[1] का उपयोग आम…
The boundaries are the most interesting bits. No definitions can be identified without them, and yet they themselves remain in a state of flux – neither here nor there, neither this nor that, but both, all, nothing, and so much more. None can stake their claim on the borderland; it is unseizable, enigmatic, most ungraspable. In its ambiguity it has the power to comfort the outlier at its best, and at its worst, leave bereft those who seek refuge in the absolute.
In 1994, Delhi boy Nishit Saran left home to study filmmaking at Harvard University. By 1999 he had made the searing Summer in My Veins, capturing on camera his own trepidation at coming out to his mother. It is an important, lovely and poignant film.
यूँ तो विवाह और उससे जुड़े महिलाओं के ‘स्थान परिवर्तन’ को ‘प्रवसन’ का दर्ज़ा दिया ही नहीं जाता है, इसको एक अपरिहार्य व्यवस्था की तरह देखा जाता है जिसमें पत्नी का स्थान पति के साथ ही है, चाहे वो जहाँ भी जाए। पूर्वी एशियाई देशों में, १९८० के दशक के बाद से एक बड़ी संख्या में महिलाओं के विवाह पश्चात् प्रवसन का चलन देखा गया है जिन्हें ‘फॉरेन ब्राइड’ या विदेशी वधु के नाम से जाना जाता है।
The meetings with Nakul had made me feel interminably uneasy and awfully awkward. It was like going on a date knowing that your choice would be for life, it was more pressure on the heart than I had ever imagined.
कम उम्र में विवाह और बाल विवाह एक बेहद विखंडित और असमान समाज का लक्षण है। जब भी यह पूछा गया कि लोग अपने बच्चों की कम उम्र में शादी क्यों करते हैं तो “दहेज़”, “गरीबी” और “यौन हिंसा का डर” आदि कारण सबसे ज़्यादा सुनाई दिए।
We spoke to four Hindu-Muslim couples from four generations to learn how to keep love afloat in this climate of naked hatred.
Invitation cards had been printed. Her parents wanted to get the best of everything for her. She knew that all this generosity came more out of them trying to put up appearances than out of their love for her. Instead of trying to make sense of it all, or to reason with them, she was told to just enjoy this special life event. Once the whole family had arrived, all of her father’s financial worries and her mother’s emotional ones got drowned in the festivities that took place each night. The bright strings of lights flickered all around the house, announcing the upcoming marriage to the world.
Reviewing three films (or the subplots of three films) to see how subplots show that marriage isn’t a destination or a single story that begins and ends in the ‘happily ever after’.
Alankrita Shrivastava made her directorial debut with the film ‘Turning 30!!!’ (2011) and has been committed to telling stories about women from a woman’s perspective. Her second and most recent film ‘Lipstick Under My Burkha’ (2016) has received international recognition and is slated to release in India in early 2017.
As an organized political movement the Indian LGBT movement is still quite young, having taken its first steps only in the early 1990s. However, it is not as if the movement started overnight. Rather it was a result of several visible and invisible developments taking place over the years in the world and Indian contexts.
There has been so much discourse about sex and sexuality education all over the world that I perhaps may not…
Trying to live up to the expectations of those you care about isn’t easy! Li Chenxi is 27 years old and has been facing pressure from her family to get married. She herself has no such desire and is fine with the way she lives; but to keep those she cares about happy she, like so many of us, finds a creative way to sustain her mum’s fantasy!
The scientific establishment’s inability to attract enough women and keep them in the workforce is a large enough problem for it to feature in interactions between nation’s governments.