A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
“It’s rather unfortunate that our educational institutions and systems are so reluctant to understand, or they simply ignore, the importance of providing our youth with CSE that can help erase the shame and crippling self-doubt around sexuality, bodies, reproductive rights and wellness.
Fire served as a seminal piece of media in my life for that reason, not only because of its queer themes and normalisation of LGBTQ+ relationships but because of how it normalises the pursuit of pleasure as a fundamental part of us, and not something we should be ashamed of.
For the last seven years, I have been working on a body of work titled Hotel Rooms themed around fluid male sexuality, mental health, queerness, and challenging deep-rooted societal gender binaries.
There’s a difference between ‘laughing with’ and ‘laughing at’. The above instance was obviously of the latter kind. Humour has a complex but integral relationship with queer genders and sexualities, and it has been evolving over time.
So I am realising now that for me the space of borderlessness applies to everything. It applies to the physical and topographical border as it does to the borders we create between gender and their expressions. I think I would like to argue for a truly borderless understanding of the world.
Drag is more than a form of entertainment or art form or a form of comedic release, it’s the realization of the fun of being queer or having a queer perspective.
This reconciliation between Pallavi’s public (seemingly) heterosexual and closeted lesbian identities points to a distinctly Indian way of avoiding polarities through a new social arrangement where both identities are allowed the space to flourish.
We had gathered to [discuss] digital self-determination for people with disabilities… focusing on its core component: the self. How can I be myself in digital spaces? What gives me more of a sense of self in these spaces? How can design, technology and policy contribute to helping me determine myself in digital spaces?
We are two boys in our early twenties
who can read touch like that, who have broken into
a 200-year-old mansion, without permission,
to see from above where people like them go
after 377 has been read down only for those
who can stay behind closed doors — in the custody
of cheap hotels, or houses that welcome nights
with the sound of latches closing.
The film has all the makings and trimmings of a commercial thriller – a dynamic story, song and dance, an action-packed climax – and at the same time, it is a cinephile’s film.
A space can make us feel constricted or liberated, and sometimes even both at the same and at varying times. The combination of spaces that we may be occupying in the moment, as well as those we have in the past, predisposes us to act, feel and experience our sexuality in different ways.