A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
The conversion of the noun (adult) into the verb form (adulting) implies that ‘adulting’ is more performance than inevitability. Which is to say, there is no intrinsic understanding of ‘adulting’; it is something that can be learnt over time.
Those who are rendered vulnerable due to their gender or sexuality, particularly those who are economically and socially disadvantaged (or less powerful) and lack the agency to speak up for themselves, are more prone to allegations, social ostracism and marginalization.
The largest contingent of voiceless, lonely women with limited agency in the subcontinent must be its married women. If they’re fortunate enough to be born and reach adulthood, a woman’s parents and society make sure she becomes an adult brainwashed into self-alienation and self-loathing.
For so long, private has meant a place that I was forced to create, claim and carve out to hide away from the public violence. And if I’ve been allowed to further wallow in it then I don’t want to – thank you very much.
I long for much more than a greater representation of brown women. I long for a complete overhaul of the racial, gendered, and economic systems that structure our suffering.
But I also long for representation of all people, including brown women, who are in love, who are loveable, and who are — in the absence of love — lonely.
In a country like India where both mental health and non-binary identities are topics that are neglected despite being essential parts of an individual’s identity, it can be quite challenging to navigate through issues regarding the same. Accessibility to affordable and quality mental health services is a serious difficulty that the queer Indian population faces.
Of course, I knew I wasn’t the only person in the world writing about Sherlock Holmes. I, however, thought I was the only one in the world writing about them like that. You know.
Romantically.
In this month’s issue of Play and Sexuality, Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
Contemporary and predominant imaginations of intimacy focus primarily on a sex-centric (romance-centric?) model which assumes that sexual desire exists and holds the same value for every person and every relationship regardless of their subjective positions. Sexual intent and desire are often the cruces of how relational aspects such as intimacy are socially constructed.
Coupledom may or may not be for everyone, and does not mean the same thing to everyone. Importantly, coupledom does not hold the same value or position in our lives, even in the lives of the individuals perceived to be parts of a couple structure.
If we are to reimagine coupledom and sexuality, we need to expand and challenge our ideas about togetherness, romance, love, intimacy, desire, sex, attachment, and so on.
The In Plainspeak team decided to time travel and re-discover previously published articles that explore the multiple ways in which people find joy and pleasure in their sexualities.
The film has all the makings and trimmings of a commercial thriller – a dynamic story, song and dance, an action-packed climax – and at the same time, it is a cinephile’s film.