narratives
This reconciliation between Pallavi’s public (seemingly) heterosexual and closeted lesbian identities points to a distinctly Indian way of avoiding polarities through a new social arrangement where both identities are allowed the space to flourish.
In the spirit of the Games, I watched the Netflix film Rising Phoenix which documents the history of the Paralympics and its impact on the world in making visible the topic of disability. It also tracks the personal and professional journey of some of the top Paralympic athletes who share their challenges, frustrations and motivations.
They’ punch him
with the pejorative
‘sissy’
and blame him for his smooth skin
and pink lips
for all ‘their’
disoriented gazes.
Drag is more than a form of entertainment or art form or a form of comedic release, it’s the realization of the fun of being queer or having a queer perspective.
Stories hold power. They shape how we understand the world, and if they are stories of distorted facts and falsehoods, they spread unease, discord and hatred. But stories also allow us to imagine other possibilities; they give us hope that we can overcome oppression and injustice.
So I am realising now that for me the space of borderlessness applies to everything. It applies to the physical and topographical border as it does to the borders we create between gender and their expressions. I think I would like to argue for a truly borderless understanding of the world.
I recently watched North Country on Netflix, a movie based on a true story of a woman’s fight for equality at the workplace. It is based on the case, Jenson vs Eveleth Mines, in the United States in which Lois Jenson, fought for the right to work as a miner, and the right to work free of sexual harassment. She won the landmark 1984 lawsuit, which was the first class-action lawsuit on sexual harassment at the workplace in the United States and resulted in companies/organisations having to introduce sexual harassment policies at the workplace.
There are different narratives where lie hidden worlds of codified feelings, justifications, a reason to buy or not buy into injustice, or othering.
I see people and places,
Couples and crushes
I hear giggles and whispers.
These are the secrets untold to me.
“Something about this pose brought about a sense of owning my body, my persona, my expression, my sensuality, my whole being. The drop of the hip made the bottom vertebrae curve, and appear out of alignment from the rest of my spine. A deviance, defiance of the normal straight stance. A resistance, a revolt of sorts.”
Looking back, it seems strange, almost sad that he couldn’t contain his anxiety, couldn’t bear the shame of what he did wrong. He must have skimmed over so much turmoil, that he couldn’t accept the reality of harming someone.
This awareness of the status ascribed to women – the status of being the objects of men’s desires – affects every aspect of a woman’s life. Desire then, in particular, becomes an aspect of a woman’s life where navigation becomes tricky.
This awareness of the status ascribed to women – the status of being the objects of men’s desires – affects every aspect of a woman’s life. Desire then, in particular, becomes an aspect of a woman’s life where navigation becomes tricky.
The idealisation of motherhood is crucial to our culture; it is important that the mother is self-sacrificing. This sacrificial instinct isn’t limited to women’s behaviour. It goes on to encompass the entirety of her corporeality and the way she performs it.