Shikha Aleya
Bakasura Chicken Tikka Roll. 100% Wholesome. Made for Real Men. In the home delivery menu card of a local restaurant,…
People’s movements and sexuality. There is dissonance in this. Hugging trees, protesting dams, Swadeshi and boycott, anti-apartheid, anti-psychiatry, anti-war, child rights, flags, banners and marches. What does hugging a tree have to do with sexuality? Women’s rights, gay pride, these movements are people’s movements quite regularly seen in the frame and context of sexuality. But the others?
Not everybody, everywhere, learns self-care, though most people learn how to wash their faces, brush their teeth, wear clean underwear, and lock the door to keep themselves safe.
Who is this person? What does this person want? Is it random cruising? Is money the goal, is it adventure? Why does it make me think of selling strawberries by the dusty roadside? I don’t have a single answer. Sex work is a lurking unknown in the world of sexuality.
Time and sexuality, neither is one-dimensional, neither is neat and both have a way of being always in a state of movement, whether we like it or not, flow with it or not.
He is the founder of a number of support organisations that focus on sexuality and disability issues at the grassroots. Over multiple conversations conducted in Hindi and English, Kiran and Shikha Aleya discussed issues of sexuality, access and disability based on some of Kiran’s life experiences.
There are a number of different ways to approach this theme, Films and Sexuality. One way is through the eyes of the popcorn-eating, samosa-chomping, money-paying audience member who chooses to see or not see a film, who likes or dislikes it, who makes the film a box-office hit, or pans it.
Tolerance and space for another who is not like oneself is important. Without such tolerance and space we risk becoming perpetrators of injustice, forcing everybody into a mold that is not their shape.
I keep on hold the colours and prints to wrap you in gentle delicate flowers or little cartoon lions and boys with fists that say Bam and Super / until I know what lies between your legs the cigar or the smile of consolation if you’re the first
No matter how many optional ways I’ve considered for starting this piece, I keep returning to ‘hot’ and ‘masala’. I’ve…
As soon as you add sexuality to a piece about money, the first instinct generally is to reduce it all to sex, leaving the “-uality” like a little invisible tail feather that flutters away into the unknown.
Her eyes are open now, she looks at him. There is sadness there. “What my love? What happened?” he asks….
What is fiction? Is it born of reality? Or does it birth reality, reflecting it back at me until I see the things I do not see? Until I find the person that is me? Until I dance my horse dance under moon, under stars, in a room full of people who like horse dancing just as much as they like the swirly skirt and the pot-bellied person doing the Bhangra.
Deena Mohamed, Egyptian artist, illustrator and designer, speaks to us about her art and her perspective on politics, patriarchy, feminism, and gender and sexuality.
I think that the level of power that law makers, opinion builders and stakeholders wield over the more vulnerable and younger people in society is enormous. Yet, these actors have chosen to focus only on building a policy regime of sexual violence, even to the extent of allowing juvenile offenders to be treated as adult accused – without any corresponding effort to build a sex positive culture within which they may exercise agency.