Theatre
अपना किरदार निभाना
In this month’s issue of Play and Sexuality, Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
By Wesley D'Souza
January 11, 2024
March 1, 2014
Interview: Jeeja Ghosh
Jeeja Ghosh is a disability rights researcher and activist, feminist, parent, writer, scholar and trainer. Her lived experience of disability, and of standing up against discrimination and injustice, is at the core of her work and insights. Shikha Aleya interviews Jeeja about mobility across divides other than the physical.
By Shikha Aleya
August 1, 2019
Beyond Premchand and Manto: Hindi Theatre is Finding Inspiration in the Writings of Vijaydan Detha
Every contemporary debate, from homophobia and intolerance, finds an echo in the Rajasthani writer’s stories. Vijaydan Detha’s Dohri Zindagi starts…
By Curated Content
Art & Activism
Some propositions: Nothing ‘activates’ like art. (I’ll speak here of theatre). It can touch, stir the senses, the head, the…
By Maya Krishan Rao
July 1, 2014
Acting Like Myself
In this month’s issue of Play and Sexuality, Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
By Wesley D'Souza
December 15, 2021