In the video section, watch Tishani Doshi perform one of her most haunting and popular poems ‘Girls Are Coming Out of the Woods’. Using the movements of/in body, music and language, it is a powerful expression of Tishani’s expansive vision of resistance, freedom and solidarity in the face of violence.
When I finally came out to myself at age 16 and made it to a free queer youth space, I couldn’t wait to be accepted among folks who didn’t play by society’s heterosexist rules of masculine and feminine as polar opposites.
Our sexuality is often in flux – being manoeuvred (sometimes in ways we cannot control) by the crashing waves of societal expectations, circumstances, and our own choices and experiences. But the world continues to uphold a fixed, rigid idea of sexuality, and continues to confine us within this idea, and therein lies the conflict.
Tales delicately yet powerfully draws out the conflict between sex workers and feminism in India,at a time when a lot of feminists thought of prostitution through a SWERF lens.
…even if people have little in common, once they enter these spaces of solidarity, they are connected to a larger community. These spaces become wellsprings of an unspoken sense of safety and mutual support between individuals of communities that share a sense of having been othered.
I recently watched North Country on Netflix, a movie based on a true story of a woman’s fight for equality at the workplace. It is based on the case, Jenson vs Eveleth Mines, in the United States in which Lois Jenson, fought for the right to work as a miner, and the right to work free of sexual harassment. She won the landmark 1984 lawsuit, which was the first class-action lawsuit on sexual harassment at the workplace in the United States and resulted in companies/organisations having to introduce sexual harassment policies at the workplace.
There may already be another organisation in the community to share resources with but for community-led initiatives, a shared perspective on Safe, Inclusive, Sexuality-Affirming (SISA) spaces is also important. Sometimes when the shared perspective is not there, that becomes a challenge.
Suddenly, three older, high-ranking female bonobos bolted up from below, a furious blur of black fur and swinging limbs and, together with the female in estrus, flew straight for the offending males. The males scattered. The females pursued them. Tree boughs bounced and cracked. Screams on all sides grew deafening.
Are certain forms of femininities denigrated more than others? Not just by misogynists but also by feminists? Is there a particular way of manifesting an ‘appropriate’ femininity, one that is just right, and is not ‘too girly’ or ‘too tomboyish’?
100 issues, 8 years! Thank you, dear readers and contributors! As we planned for this issue to put on our…
Their inimitable personalities showcase their varied conceptions of insaaf (justice), enriching and intensifying the plot and, at the same time, reaffirming their solidarity and strengthening their unity.
This is the second part in a two-part series on SANGRAM’s work in Sangli. Read the first part here. Finding…