I recently watched North Country on Netflix, a movie based on a true story of a woman’s fight for equality at the workplace. It is based on the case, Jenson vs Eveleth Mines, in the United States in which Lois Jenson, fought for the right to work as a miner, and the right to work free of sexual harassment. She won the landmark 1984 lawsuit, which was the first class-action lawsuit on sexual harassment at the workplace in the United States and resulted in companies/organisations having to introduce sexual harassment policies at the workplace.
Robot Hugs, in their insightful comic, take on closets as inherently oppressive structures built to uphold what is acceptable and what is not. They subvert the popular notion that coming to terms with and coming out with our queer identity is a one-time event as well as problematise coming out in itself as reinforcing that…
Our sexuality is often in flux – being manoeuvred (sometimes in ways we cannot control) by the crashing waves of societal expectations, circumstances, and our own choices and experiences. But the world continues to uphold a fixed, rigid idea of sexuality, and continues to confine us within this idea, and therein lies the conflict.
Suddenly, three older, high-ranking female bonobos bolted up from below, a furious blur of black fur and swinging limbs and, together with the female in estrus, flew straight for the offending males. The males scattered. The females pursued them. Tree boughs bounced and cracked. Screams on all sides grew deafening.