SISA spaces
“I feel comfortable with who I am,” he responded. “I’m at ease with myself. I don’t wake up and hate myself. I can’t tell you how amazing that feels.”
“I know how that feels,” I told him.
The film Hot Girls Wanted followed the journey of five young women aged 18-25 years as they joined the pornography industry and also looked more broadly at at women in this age group and their motivation to join.
This film reminds us of the power of connections in finding pleasure, joy, confidence and healing.
This short and cute graphic story by Priya Dali, published by Gaysi in collaboration with Tinder, captures the playful initial stages of online dating as Maya tries to make the first move on Rae with the help of colleagues.
This question of appropriateness is, for me, at the heart of all questions around sexuality. Each of us carries within us our own private benchmarks for which expressions of sexuality we find appropriate, and which ones, in turn, have crossed an invisible line. The ones we believe belong across the border, in the land of the inappropriate, of the too much.
…we must also address men’s relationships with their spouses, other men, women and children in the community, and importantly, their own emotional selves to transform fatherhood. Therefore, engaging with men as fathers must involve a holistic understanding of their socialisation, emotional world, and position within patriarchal structures.
I was not simply stuck within the binaries of “same-sex” or “opposite sex,” assuming that any reference to “same-sex” is in itself already revolutionary. But the call to recognise friendship, is a call to recognise so many forms of community that are made invisible by the emphasis within a liberal or conservative framework on “marriage” as the only path to family making.
I was not simply stuck within the binaries of “same-sex” or “opposite sex,” assuming that any reference to “same-sex” is in itself already revolutionary. But the call to recognise friendship, is a call to recognise so many forms of community that are made invisible by the emphasis within a liberal or conservative framework on “marriage” as the only path to family making.
That’s what books do, they open up the world to new possibilities, let you live a life bigger than your own.
No two human bodies are alike, and our different bodies arouse curiosity. But our fascination for the aesthetics of the perfect human body has historically created a space within art, science and religion for the examination of the ‘abnormal’ and the ‘imperfect’. As a result, some bodies are normalised while others become oddities. Freak Shows, and to a large extent, circuses and even exhibits in medical or anthropological museums particularly stand out for dehumanising and objectifying these different anatomies, and oftentimes subjecting these bodies to violence and discrimination.
People we refer to as “digisexuals” are turning to advanced technologies, such as robots, virtual reality (VR) environments and feedback devices known as teledildonics, to take the place of human partners.
Of course, I knew I wasn’t the only person in the world writing about Sherlock Holmes. I, however, thought I was the only one in the world writing about them like that. You know.
Romantically.
Of course, I knew I wasn’t the only person in the world writing about Sherlock Holmes. I, however, thought I was the only one in the world writing about them like that. You know.
Romantically.
The lip colour then enters into a rather queer state of existence as it refuses to stand by the label it is expected to conform to. It moves and escapes categorisation. In its queerness, it renders itself as a paradox. At the heart of paradoxes is the understanding that something is what it is also not. Similarly, the colour of this lipstick is nude, but it is also not. It is possible that it is because of this slippery nature of the paradox that my sexuality as my identity too remains slippery, in motion and fluid.
There may be situations in which a person’s responses might not be unquestionably equated with consent. Is consent merely a ‘yes’ or does one need to look for other cues to make sure their partner wants the same thing as them when it comes to intimacy?