Sexuality
But we always, always know that when it’s the two of us, a label or a word isn’t needed or necessary. We both get each other.
It could be your best friend, a partner, a sister or a parent. Hurting and getting hurt seem to form the basic universal nature of relationships. I have always wondered about why we like creating these connections, and why we need this social network.
However elusive the combination of safety and adventure, it’s a framework I find terribly useful. It helps me understand much of life, including spirituality and sexuality, and what the two might have in common.
However elusive the combination of safety and adventure, it’s a framework I find terribly useful. It helps me understand much of life, including spirituality and sexuality, and what the two might have in common.
I want it, I got it. Right? Except, what I often get is some approximation of erotic pleasure, which has more to do with my own conditioning about what good sex looks like, and little to do with my body’s erotic mechanisms. This very peculiar condition is often lumped under ‘sexual frustration’, when it should really be addressed under safety.
Sounds of Abida Parveen and Falguni Pathak’s force move me to other frames, that foreground unforgiven settlements. They provide me with what Jacqui Alexander has so beautifully called “pedagogies of the sacred.”
Ruth Vanita is an academic, activist and author, who specialises in gender studies, lesbian and gay studies and South Asian…
It’s sad that we think we own our bodies: the bodies we love, the bodies we hate, the bodies we…
Thanks for being part of our 2022, full of exciting activities and reflection on Sexual and Reproductive Health and Rights (SRHR) and wellbeing.
Looking back at this piece, written seven years ago, the core issues that I identified then remain significant and relevant….
All clear…. no hush hush TARSHI Talks on ‘sexuality and relationships’ is such a welcome sea of information about sexes,…
Note: Five sex workers – four women and one man – along with the filmmaker/narrator embark on a journey of storytelling. Shohini Ghosh’s Tales of the Night Fairies explores the power of collective organising and resistance while reflecting upon contemporary debates around sex work. The labyrinthine city of Kolkata (Calcutta) forms the backdrop for personal and musical journeys.
Tales delicately yet powerfully draws out the conflict between sex workers and feminism in India,at a time when a lot of feminists thought of prostitution through a SWERF lens[1].
Attire and sexuality in the common imagination and approach as represented (and also as received) by the mainstream media tell us a lot about prevailing attitudes to both. Advertisements bombard us with all kinds of representations, negative and positive, of human sexuality, sexual expression and desire. In the creation and marketing of attire and fashion, there is a great awareness of sexual buy-in or rejection by the market – that’s us.
What does Tanu Weds Manu Returns (2015) have in common with Perumal Murugan’s controversial book, One Part Woman (2013)? Stories on emasculation…