Fiction & Poetry
दो कविताएं – हवेली आधुनिकता के आवरण में क्षयग्रस्त पारंपरिक पुरुषत्व को दर्शाती है, जबकि चारपाई कठोर और लचीली अभिव्यक्तियों के बीच विरोधाभास प्रस्तुत करती है, जहां जो जिस चारपाई पर बैठते हैं, उसके गुणों को अपनाते हैं, जो भिन्न-भिन्न पुरुषवादी पहचानों का प्रतीक है।
हमें नहीं बनना महान
हमें इंसान ही रहने दो।
These are their words, their vision,
a blade that left a cut in my veins
We spoke about everything and nothing at once, her presence like a balm to an ache I hadn’t realised I carried.
To be a gentle / friendship breaker for S. To be // a candle-lit confetti apology for S.
…what is there to misunderstand
about hands that take without asking,
about silence twisted into consent
by those who have never had to be afraid?
Khusro to Bullah. Ada to Parveen
यह, वह, वो
He, she, they
Lover or Beloved? Woman or Man?
It is not a word you expected in this poem,
Or in any poem at all.
The bathroom stall becomes a sanctuary, a stage, a confession booth.
You speak in so many tongues to me as you journey languorously down my body.
Just like on a misty morning,
we both
sit
without a shred of adornment
on these ancient stepwells
and the call of the hummingbirds
offer us sensations,
imagination,
and our innocence
Only sometimes Sometimes my love is as expansive as the earth itself Patient None of the restlessness of a…
A room of one’s own You couldn’t begin to say the self Before someone helps you finish — Self-centred Self-serving…
I gargle away the itch in the tonsils accompanying this persistent flu.