A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
I am still coming to terms with my own femininity, as with new learnings I find myself regaining many facets of my personality which were lost while trying to ‘act like a man’ and ‘act tough’.
It is the winter of 2013, and my father and I are sitting at an awkward distance from each other on the living room couch, our eyes trained on the television set as a popular prime time news debate discusses a subject we have never before talked to each other about – homosexuality. It is only a few days since Section 377 has been reinstated by the Supreme Court, and the television and print media bombards us with discussion after discussion on ‘alternate’ sexualities and LGBTQ rights.
This post was originally published in VICE. By: Divya Karthikeyan A Bengaluru woman poses for her lover—and the followers of /r/IndiansGoneWild. Catching…
Since all women do not share a common history, agency cannot and need not be located for all in an emancipatory discourse and in the recourse to resistance and subversion. For some, feminist agency and the realisation of one’s potential as gendered actors in the world can come from submitting to a discourse that others deem repressive.
In this issue of In Plainspeak, we interview Madhu Mehra, lawyer and feminist activist. She is a founding member and the Executive Director of Partners for Law in Development (PLD), a legal resource group on women’s rights.
I’ve essentially thought of movement as a kind of freedom, but one that has the capacity to destabilise you in some way. My most creative moments are when I’m not moving, when I am in fact rooted and still.
Our bodies are the vessels through which we feel, emote, work or navigate our societies and the world at large. Our bodies are the real, live archive of everything we have experienced and they have borne the consequences of our social conditioning and decisions.
I think that the level of power that law makers, opinion builders and stakeholders wield over the more vulnerable and younger people in society is enormous. Yet, these actors have chosen to focus only on building a policy regime of sexual violence, even to the extent of allowing juvenile offenders to be treated as adult accused – without any corresponding effort to build a sex positive culture within which they may exercise agency.
A few days ago, my cousin saw Anita masturbating while going to sleep. And while having a discussion around this, I realised how, even after its being noticed, nobody wanted to talk about finding ways to discuss it with her in a pleasure-affirming manner.
The lip colour then enters into a rather queer state of existence as it refuses to stand by the label it is expected to conform to. It moves and escapes categorisation. In its queerness, it renders itself as a paradox. At the heart of paradoxes is the understanding that something is what it is also not. Similarly, the colour of this lipstick is nude, but it is also not. It is possible that it is because of this slippery nature of the paradox that my sexuality as my identity too remains slippery, in motion and fluid.
Standing behind the camera, with a microphone in one hand, I have felt this power imbalance first hand. The camera may humanise the person in front of it more than a text analysis would, but the modes of production remain in someone else’s hands.
In the mid-month issue we carry the second part of Madhu Mehra’s interview with Shikha Aleya about the law, power, inequalities, sexuality, consent and building a sex-positive culture. As Madhu says, for navigating negotiations and consent within sexual relationships more work is needed than merely lessons in legal literacy.
Members of a fandom are not just passive consumers but active co-creators who imagine and build new worlds around their objects of adoration. Fandom communities offer fans the freedom of being able to imagine, create and share all sorts of scenarios, including romantic, erotic and sexual ones.
Stories hold power. They shape how we understand the world, and if they are stories of distorted facts and falsehoods, they spread unease, discord and hatred. But stories also allow us to imagine other possibilities; they give us hope that we can overcome oppression and injustice.