A digital magazine on sexuality in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame

trauma

A photograph of a bench on a rocky-slightly bushy terrain. The bench is facing the other direction, which stretches out into wilderness. The sky in tinged with purple, blue, yellow, and pink.

Who would we be if we weren’t trying to survive? A Conversation on the Survival Myth

What does it mean to hold space and extend compassion to ourselves and our  communities? Rachel Cargle reminds us to ask ourselves: who  would we be if we weren’t trying to survive? Similarly, what would care and vulnerability look like if we weren’t trying to survive? The anarchy of queerness constantly and necessarily resists the capitalist engineering of the Survival Myth: one that wants us to endure an isolated life instead of embracing it with the radically transformative joy of togetherness. Caring for yourself precedes, succeeds, and exists alongside caring for the collective.
A poster of the film 'North Country'. On the poster: in the middle, Charlize Theron's face and shoulders. She is wearing a yellow bandana and a grey-beige t-shirt. She is looking at the camera, wide-eyed. Behind her is a crowd of men, a bit transparent. The lettering under her is in white, saying NORTH COUNTRY. Above her, the lettering says, 'ALL SHE WANTED WAS TO MAKE A LIVING, INSTEAD SHE MADE HISTORY' and underneath the title of the film are details about its cast and production.

Invisible Women

I recently watched North Country on Netflix, a movie based on a true story of a woman’s fight for equality at the workplace. It is based on the case, Jenson vs Eveleth Mines, in the United States in which Lois Jenson, fought for the right to work as a miner, and the right to work free of sexual harassment. She won the landmark 1984 lawsuit, which was the first class-action lawsuit on sexual harassment at the workplace in the United States and resulted in companies/organisations having to introduce sexual harassment policies at the workplace.
A photograph of a brown coloured snail lying on green grass

Editorial: Vulnerability and Sexuality

Vulnerability – is it a condition we find ourselves in? A state of being we choose? Let’s keep it very simple: it depends on the approach we take to defining it. In the former approach, we are ‘done to’, while in the latter we are consciously ‘doing’.

There I sat down and wept

“Be yourself, Sarah. Awkward smiles, empty silences, weird laughter, and all. It’s just a part of being human. Loving someone physically is never not awkward. Even if it’s a monogamous relationship. It’s only the comfort of familiarity that makes you think otherwise.”

Reclining Vulnerability

Through multiple maquettes, I finally came across (since I myself did not know what the result of the form or figure would be) the Reclining Lady. She represents confident femininity and vulnerability. The feeling one has after taking a bath and sitting in the nude, drying oneself in unabashed nakedness.
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