A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame

Transgender

Poster of the movie Nagarkirtan. A woman with short hair is leaning her chin on the shoulders of a man who is playing a flute. The name of the movie is written in Bengali, followed by its translation in English that reads “The Eunuch and The Flute Player”. Below it is the text that reads, “A Film by Kaushik Ganguly”, following which is a list of awards won by the movie at the 2018 National Awards.

Locating the ‘Nagar’ in ‘Nagarkirtan’: Identifying the feeling of socio-sexual rootlessness in the Transgender community

The plot of the movie narrates the tale of the love that grows between two people who are struggling to survive in a world of rootlessness and are continuing to make a cosy home for themselves. The love between Madhu, who works as a food delivery boy, and Puti, who survives by singing at traffic signals, blossoms while they cross paths everyday at the traffic signal and the look that they exchange appears to us as if each of them is trying to find a home in the other.
Picture of two trains, one already present on the platform, and another approaching the platform. They are both green in colour with off-white stripes on them

In Transit

I could have called it transformation instead of transitioning. But it became clear to me that transitioning does not necessarily imply a caterpillar-butterfly story but that it means a gradual acceptance of the self (and the self is ever-transitioning); of being comfortable in your own skin (even if it means shedding skin); of perfecting your act (even if it means learning a few new things).

Mid-Air Between Heaven and Earth

The concluding chapter reiterates the aims of the book, i.e., “to start critical conversations within the disciplines of psychology, social work, childhood studies, and family studies in India and to think about exclusions inherent in these disciplines.
A placard against a black background, on which is written 'Idea Junction, Colombo Pride 2018.'

The Ocean in My Veins

The circulation of our bodily energies potentially ushers queer futurities. A future that is yet to come, a future in which our bodies will not be imprinted with fear. A future in which newer creative economies of desire, love, and pleasure surround us like the blue waters of the Indian Ocean. I write this brief reflection in hopes of such futures.
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