In our mid-month issue, Stuti Tripathi considers whether raising the minimum age of marriage for women from 18 to 21years is indeed a one-stop solution to check early marriages. She brings to our attention the many factors, such as family pressure, inaccessible educational and financial resources, traditionally defined roles of women, and gender-based marginalisation that together lead to early marriages and argues that young people need rights not protection.
वापस फिर एक बार, पोस्टर पर लिखी गयी घोषणा पर लौटते हुए - पहली बार ‘कानूनन’ सेक्स कर पाने के अपने अनुभव को ज़ाहिर करने की इस घोषणा में एक बहुत ही शक्तिशाली सांकेतिक संदेश निहित है जो हमें सेक्स में ज़्यादा चरम आनंद लेने में भले ही मदद न करे लेकिन मुक्ति के चिन्ह हमेशा धनी लोगों द्वारा किए जा रहे दिखावे की तरह नहीं होते, उनमें एक प्रभावी संदेश निहित होता है।
akshay khanna, who is a social anthropologist and a political activist, weaves the narrative of how the Queer body came to be included into juridical registers of the State as a citizen-subject. The book is divided into six parts starting with an Introduction. The tone of the book is already set before the introduction to the contents, when it starts with the lines of the historic poem “Hum Dekhenge” written by Faiz Ahmed Faiz in 1979. The book is based on multi-sited doctoral fieldwork carried out by akshay between October 2005 and February 2007. The introduction starts with a discussion around India’s modernity, sexuality and ‘sexualness’, moving on to talk about men holding hands in India, and the curiosity with which it is viewed by Europeans and North Americans...
When Deepa Mehta’s Fire came out in 1996, violent protests roiled India over the depiction of romance between two female leads. There is no homosexuality in India, demonstrators declared while burning effigies in the Capital. In contrast, when Margarita With A Straw came out in 2014, it received accolades for its sensitive portrayal of queer desire in a woman with disability.