A digital magazine on sexuality in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame

online dating

Wall-art of a face till the bridge of the nose. The face is coloured in peach, grey, and shades of blue. The eyes, green, are lined in black and have spots of yellow, brown, and blue colour around them. Under the left eye, there are yellow dots. The hair is streaked with purple and blue.

Probing the Screen: Pleasure in the Virtual World

The virtual world allows me to challenge the hold of patriarchy on my ‘effeminate’ body; in a sense, it allows me to evade the policing of desire that my body shares with another, its flows and slippages, the messy and the unkempt. While virtual sex offers a window to revisit the sensual, it is also not immune to limitations and insecurities.
An abstractly made illustration of a landscape with mountains depicted in yellow, and below, a blend of green-blue to depict oceans. The texture of the colours evokes waves as well as ice. On the left is a paper boat, yellow-white with blue-green hues, carrying a red rose-like flower in the middle.

Swipe me left, I’m Dalit

Dalit women are primarily viewed as victims and survivors of various kinds of violence. Reification of the Dalit identity has led to the boxing of our existence whose dimensions are solely defined by the savarna (dominant caste) gaze. Our self-assertions of identity are commodified to create a warped limiting of our lives, creating an image that is voiceless in the minds of our potential suitors. We are not seen as being capable of desire, love or happiness; we don’t exist as individuals outside of violence.
A digital illustration of networks, with many white lines criss-crossing, intersecting, and branching out across a grey-blue background. Wherever the lines intersect in the web of networks is a small white dot.

Editorial: Data and Sexuality

While we are struggling with the vicissitudes brought on by the pandemic we are also forced to spend more time online, to look for resources in terms of health care or caregivers, to reach out to people and build a communities of care, to take a break, or to try and hook-up online for a while.
A photograph of a smartphone on a wooden surface. The sides of the phone are black, and the display has a white background with a kissing-face emoticon in the centre and two red heart emoticons on either side.

Are they people or just a number?

You see, numbers are tricky, data is tricky. More importantly, data is dehumanising. Add sexuality and intimacy to this and the waters get even murkier. Maybe it’s good to leave a few things unaffected by too much data. Maybe we do not want to talk about data and sexuality. Maybe we instead want to talk about why data around gender and sexuality must not be recorded, and instead, maybe focus on why we should honour every kind of sexual preference which is within the purview of the safe and consensual.
On a pick background, a photograph of a drop of water splashing.

CATAMITE

On the other hand, in Abhay’s newly discovered wonderland, everything seemed to be awfully right. Soon, he began receiving proposals for sex-dates. Initially such proposals shocked him; for it took him a few months to get used to the fact that sex with men was only a click away.
An image of a mobile phone's screen with the Facebook app open. The letters 'faceb' are visible in white on a blue background.

The Mask of Age

As advocates of safe, inclusive and sexuality-affirming spaces, we can explore different ways to ensure that the people we are interacting with on dating platforms are legal adults and are not merely wearing a mask of adulthood.
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