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The White House lit up in rainbow colours.

Love, Marriage, and the Neoliberal World Order

On June 27, 2015, the Supreme Court of the United States of America held, “The Fourteenth Amendment requires a state…

By Debanuj DasGupta

August 1, 2015

Love, Marriage, and the Neoliberal World Order

Still from film 'Tanu Weds Manu Returns'. A woman and a man in a wedding. The man holds a baby wrapped in a white cloth in his arms. The woman wears a red Indian suit, red bangles, and has open hair. The man wears a red turban and golden kurta.

Review: What a controversial book and blockbuster tell us about male infertility

What does Tanu Weds Manu Returns (2015) have in common with Perumal Murugan’s controversial book, One Part Woman (2013)? Stories on emasculation…

By Shweta Krishnan

July 1, 2015

Review: What a controversial book and blockbuster tell us about male infertility

A pair of hands with wrinkles on them holding each other. One of the hands is wearing a gold band on their ring finger

Beauty

And all my life I’ve lived alone. What it means to be beautiful, I’ve never known. I’ve had partners but…

By Almas Shamim

June 17, 2015

Beauty

A man dressed in a light blue shirt and black trousers sits on a wheelchair. He is in a public place - a sort of a bridge, that overlooks a river. A woman dressed in a multi coloured sari sits on the railing of the bridge.

Love will find a way: The story of six differently abled couples who never thought they’d find love

SUMMARY Six young men and women, all afflicted by polio, had never thought they would fall in love. Till they…

By Curated Content

August 15, 2014

Love will find a way: The story of six differently abled couples who never thought they’d find love

The Fine Line

February 1, 2014

The Fine Line

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Themes

In Plainspeak publishes one issue every month, with a single theme running across two months. Our aim is to expand safe, inclusive self-affirming spaces.

CURRENT ISSUE:

February-March 2026: Digital Intimacies and Sexuality

With ever-increasing (for most of us) access to and reliance on digital modes of connecting, we are no strangers to digital intimacies – erotic, sexual, platonic, emotional – on social media, gaming platforms, dating apps, and so on. While digital spaces afford possibilities of sexual freedom and pleasure, they also hold the threat of surveillance, exposure, and abuse. So what do we do to optimise our experience? Do we use different modes of self-representation, visibility/anonymity and self-censorship on different platforms? How do factors like queerness, ethnicity, caste, a/sexuality, and disability play out in the creation and sustenance of digital intimacies? Are the sexual intimacies that digital spaces afford congruent with those in our offline lives? Must they be, or is there a particular thrill in their not being so? What is ‘authenticity’ when it comes to our online persona/e and our sexual lives? These are some of the questions that this issue of In Plainspeak engages with.

फरवरी – मार्च २०२६: डिजिटल अंतरंगता और यौनिकता

हम में से अधिकांश लोगों के लिए डिजिटल माध्यमों तक पहुंच और उन पर निर्भरता लगातार बढ़ती जा रही है, और सोशल मीडिया, गेमिंग प्लेटफॉर्म, डेटिंग ऐप्स आदि पर डिजिटल अंतरंगता – कामुक, यौनिक, गैर-यौनिक, भावनात्मक – हमारे लिए कोई नई बात नहीं है। डिजिटल स्थान यौन स्वतंत्रता और आनंद की संभावनाएं तो प्रदान करते हैं, लेकिन साथ ही निगरानी, पर्दाफाश और हिंसा का ख़तरा भी पैदा करते हैं। तो हम अपने अनुभव को बेहतर बनाने के लिए क्या कर सकते हैं? हम विभिन्न प्लेटफॉर्मों पर आत्म-प्रतिनिधित्व, दृश्यता, गुमनामी और आत्म-नियंत्रितता को कैसे अलग-अलग तरीक़ों से इस्तेमाल करते हैं? क्वीयर होना, अयौनिक होना, यौनिकता, जातीयता, जाति, और विकलांगता जैसे कारक डिजिटल अंतरंगता के निर्माण और उसे बनाए रखने में क्या भूमिका निभाते हैं? क्या डिजिटल मंचों द्वारा प्रदान की जाने वाली यौनिक अंतरंगता हमारे ऑफलाइन जीवन की अंतरंगता के अनुरूप है? क्या ऐसा होना ज़रूरी है, या फिर ऐसा न होने में एक ख़ास रोमांच है? हमारी ऑनलाइन पहचान और हमारे यौन जीवन के संदर्भ में प्रामाणिकता (ऑथेंटिसिटी) क्या है? इन प्लेनस्पीक का यह अंक कुछ ऐसे प्रष्नों पर विचार-विमर्श करता है।

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We curate content from other portals to amplify discussion around sexuality and rights. All rights remain with the original sources. Corners and Videos are embedded links and Brushstrokes and Blogrolls are republished from open sources with a link back to the original source. Older links may no longer be available.

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