love

Editorial – Narratives and Sexuality
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Stories hold power. They shape how we understand the world, and if they are stories of distorted facts and falsehoods, they spread unease, discord and hatred. But stories also allow us to imagine other possibilities; they give us hope that we can overcome oppression and injustice.

By TARSHI
March 17, 2023
Editorial – Narratives and Sexuality
Labour of Love
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Pleasure, in the world, is not equally distributed.

By Ria Arya
March 17, 2023
Labour of Love
What is your verb
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Khusro to Bullah. Ada to Parveen
यह, वह, वो

He, she, they
Lover or Beloved? Woman or Man?

By Carol D'Souza
March 1, 2023
What is your verb
Love belongs to me too
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I see people and places,
Couples and crushes
I hear giggles and whispers.
These are the secrets untold to me.

By Gayathri
March 1, 2023
Love belongs to me too
Sex Question Mark
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Looking back, it seems strange, almost sad that he couldn’t contain his anxiety, couldn’t bear the shame of what he did wrong. He must have skimmed over so much turmoil, that he couldn’t accept the reality of harming someone.

By Megha
March 1, 2023
Sex Question Mark
At Chattar Manzil
A side view of a historical monument during daytime.

We are two boys in our early twenties
who can read touch like that, who have broken into
a 200-year-old mansion, without permission,
to see from above where people like them go
after 377 has been read down only for those
who can stay behind closed doors — in the custody
of cheap hotels, or houses that welcome nights
with the sound of latches closing.

By Aditya Vikram
February 16, 2023
At Chattar Manzil
Love matters – A review of Atypical (Season 1)
A poster of the Netflix show, Atypical. The main character, his parents, and his sister are in the four corners with the title in the very centre.

Sam is an 18-year-old boy who believes that he is ready to have a girlfriend. He is on the autistic…

By Elsa Marie D'Silva
February 16, 2023
Love matters – A review of Atypical (Season 1)
Sexy Crip Desires
A close-up of vibrantly painted pebbles. One with a rainbow on it is prominently in the foreground. Another with “love” on it is behind it.

Many disabled people in India live with their parents and any expression of sexuality is suppressed as a rule within the confines of their homes. Sexual desires of persons with disabilities are seldom a priority issue for families or civil society. More is said through silence than words. Be grateful that you are alive. Isn’t that enough?

By Abhishek Anicca
February 4, 2023
Sexy Crip Desires
Issue in Focus: The Heart of Being
An abstractly painted image with magenta and blue and splashes of red, yellow, and black colour. In the background, two brown-black silhouettes.

To chase down our own vulnerabilities around sexuality is a short run around the corner, five minutes ago, last night sleeping alone, with a lover, a partner who lost interest, the Insta post that leaves you feeling you’re not good enough for the hug, the kiss, the cuddle and are you perhaps the A of LGBTQIA+?

By Shikha Aleya
January 3, 2023
Issue in Focus: The Heart of Being
Interview – Raj Mariwala
A photograph of MHI director Raj Mariwala; she is playing with a grey-brown dog, squatting in grass.

Self-care is influenced by the environment we inhabit, the way we relate to others, the way we negotiate with other living beings or structures. Self-care is also interlinked with other types of care – whether that is in community resources, psychosocial support, engagement with medical and health care institutions, and of course in collective agency and solidarity.

By Shikha Aleya
January 3, 2023
Interview – Raj Mariwala
साक्षात्कार – श्रीनिधि राघवन
A photograph of disability rights activist Srinidhi Raghavan. She is wearing a blue top with a white pattern, black-rimmed spectacles, and a yellow hair-band.

ऐसी जगहों की बहुत कमी है जहां विकलांगता के साथ जी रहे लोग अपने यौनिक अनुभवों या यौनिक जिज्ञासा के बारे में खुलकर बात कर सकें। खास तौर पर विकलांगता के साथ जी रहे युवाओं पर हर वक़्त निगरानी रहती है जिसका मतलब है कि वे यौन अनुभवों से वंचित रह जाते हैं और अपनी यौनिकता को समझ नहीं पाते।

By Shikha Aleya
December 12, 2022
साक्षात्कार – श्रीनिधि राघवन
Masculinity, queer representation, and the motifs of movement in ‘Dedh Ishqiya’
A shot from the film featuring the two female leads, one is preparing a paan with the other’s face resting on her shoulder. Both the women are smiling.

The film has all the makings and trimmings of a commercial thriller – a dynamic story, song and dance, an action-packed climax – and at the same time, it is a cinephile’s film.

By Srishti Gupta
May 3, 2022
Masculinity, queer representation, and the motifs of movement in ‘Dedh Ishqiya’
Two Poems: ‘Only sometimes’ & ‘No filter’
Photo of a trees in a forest. There is little distance between the trees. At the centre is a singular tree with twisting and gnarly branches.
Sometimes my love is as expansive as the earth itself Patient None of the restlessness of a filly
By Carol D'Souza
May 3, 2022
Two Poems: ‘Only sometimes’ & ‘No filter’
Two Poems: ‘Stepwells’ & ‘In the Dimly Lit Room’
Held between a thumb and the index finger is the delineation of a golden-yellow leaf with sunlight shining on it.

Just like on a misty morning,
we both
sit
without a shred of adornment
on these ancient stepwells
and the call of the hummingbirds
offer us sensations,
imagination,
and our innocence

By Prithvijeet Sinha
May 3, 2022
Two Poems: ‘Stepwells’ & ‘In the Dimly Lit Room’
Locating the ‘Nagar’ in ‘Nagarkirtan’: Identifying the feeling of socio-sexual rootlessness in the Transgender community
Poster of the movie Nagarkirtan. A woman with short hair is leaning her chin on the shoulders of a man who is playing a flute. The name of the movie is written in Bengali, followed by its translation in English that reads “The Eunuch and The Flute Player”. Below it is the text that reads, “A Film by Kaushik Ganguly”, following which is a list of awards won by the movie at the 2018 National Awards.

The plot of the movie narrates the tale of the love that grows between two people who are struggling to survive in a world of rootlessness and are continuing to make a cosy home for themselves. The love between Madhu, who works as a food delivery boy, and Puti, who survives by singing at traffic signals, blossoms while they cross paths everyday at the traffic signal and the look that they exchange appears to us as if each of them is trying to find a home in the other.

By Ria Basu
April 18, 2022
Locating the ‘Nagar’ in ‘Nagarkirtan’: Identifying the feeling of socio-sexual rootlessness in the Transgender community
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