A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Tales delicately yet powerfully draws out the conflict between sex workers and feminism in India,at a time when a lot of feminists thought of prostitution through a SWERF lens[1].
Our sexuality is often in flux – being manoeuvred (sometimes in ways we cannot control) by the crashing waves of societal expectations, circumstances, and our own choices and experiences. But the world continues to uphold a fixed, rigid idea of sexuality, and continues to confine us within this idea, and therein lies the conflict.
The idea of a “desirable” body, sewn in my brain from the threads of Instagram reels, weight-loss ads, and the women on this store’s website, stitches the clothes I wear so that they become coloured in every shade of rejection. I wonder if the women I see outside the changing room, admiring themselves in the communal mirrors, seeking validation from their accompanying shoppers, feel the same way as I do inside their cubicle of doom.
When I finally came out to myself at age 16 and made it to a free queer youth space, I couldn’t wait to be accepted among folks who didn’t play by society’s heterosexist rules of masculine and feminine as polar opposites.
In the video section, watch Tishani Doshi perform one of her most haunting and popular poems ‘Girls Are Coming Out of the Woods’. Using the movements of/in body, music and language, it is a powerful expression of Tishani’s expansive vision of resistance, freedom and solidarity in the face of violence.
Tales delicately yet powerfully draws out the conflict between sex workers and feminism in India,at a time when a lot of feminists thought of prostitution through a SWERF lens[1].