Sexuality
In a society that restricts one’s expression of sexuality and perpetuates patriarchal gender norms, there is little room offered for open exploration. With no Comprehensive Sexuality Education (CSE) in schools and no conversation about sexuality with parents, children are ill-equipped to navigate their puberty as adolescents, and dating and relationships as young adults.
I tell them to laugh freely but question as much too. This gives them a sense of sheer relief to be able to ask, talk, question, because, even if it is ‘really bad’, after all, it’s being said in ‘lightness, is it not?
The governing eyes throughout history have dictated the acceptable forms of the performance of sex.
Watching K3G with my students brings forward new ways of understanding how concepts like socioeconomic class, gender, sexuality, and diasporic imaginaries are embedded with subtle messages of morality and longing and how these messages are ingrained in our Bollywood viewing experiences.
Directed by Saim Sadiq, Joyland (2022) is not a film about trans rights or women’s rights. It is not even about one specific group or community of people. It is about the whole spectrum of human emotions.
At present Neel[1] and I live-together, part-time. I write part-time because I stay alternately with him and with my sister…
My hair smells like jasmine / From the wedding I went to last night / When I tethered my untameable hair with flowers,
Desire is a man’s turf, right up there with moustaches and Adam’s apples / I’m the apple, I am the snake, I am Eve / I am the vibrator nestled between flimsy, cheap lace underwear / I am the shame, of saying I came
“I’m afraid because I bring to bed more than just one soul of a scared conflicted boy. I’m bringing to bed a whole army that not only runs the streets within me but also spills out over my body and the body of the boy next to me.”
Play is not only about cocks, balls, vaginas, paddles, or anything that happens between two consenting adults in the bedroom. It’s also about what goes on in a masochist’s mind before they submit to a cane, or a whip, and before they orgasm from the pain.
This post was originally published in VICE. By: Divya Karthikeyan A Bengaluru woman poses for her lover—and the followers of /r/IndiansGoneWild. Catching…
[slideshow_deploy id=’5400′] TULIR uses these posters in their advocacy work to prevent sexual violence against children. These posters address children…
Saying yes to pleasure is as important as saying no to danger. To focus only on danger and keep it separate from pleasure leads to half-knowledge.
Fiction is a realm within which we can imagine the limitlessness of our feminist realities. By censoring fiction itself in an anxiety to perform what we understand as feminism, is to censor our imaginations, its subtle negotiations with reality and its potential in generating desires and dreams we hardly knew of. Does this mean we don’t critique books and movies? Definitely not! Critique is fun. Critique is important. Critique is how we grow. But the judgement needs to stop.