Queer
Robot Hugs, in their insightful comic, take on closets as inherently oppressive structures built to uphold what is acceptable and…
This reconciliation between Pallavi’s public (seemingly) heterosexual and closeted lesbian identities points to a distinctly Indian way of avoiding polarities through a new social arrangement where both identities are allowed the space to flourish.
In my opinion, Ghosh was in search of a language of cinema which could be adequately expressive of queerness; he was slowly moving towards inventing that language, which would not be alienating to his conformist audiences, yet, would be intelligibly pleasurable to his (informed) queer viewers.
The assumption that everyone experiences love and attraction in a similar manner is deeply alienating and harmful for the a-spec community.
The conversion of the noun (adult) into the verb form (adulting) implies that ‘adulting’ is more performance than inevitability. Which is to say, there is no intrinsic understanding of ‘adulting’; it is something that can be learnt over time.
Being a woman who loves other women, I realised that women look at me with the same tender gaze I look at them with. And that, more than anything, has made me feel at peace with my body. I hope to one day love it
Pleasure, in the context of the private, defines the parlance of sexual satisfaction. As a womxn, the private is also the public: how I present and play with my gender, is a way of seeking validation of who I am.
We are two boys in our early twenties
who can read touch like that, who have broken into
a 200-year-old mansion, without permission,
to see from above where people like them go
after 377 has been read down only for those
who can stay behind closed doors — in the custody
of cheap hotels, or houses that welcome nights
with the sound of latches closing.
In this month’s issue of Play and Sexuality, Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
Like failure, longing is not interested in happy endings – whether of straight or non-heterosexual relations.
My identity unfolded slowly during my postgraduate media studies course, where I was exposed to peers from different socio-economic backgrounds.
In a country like India where both mental health and non-binary identities are topics that are neglected despite being essential parts of an individual’s identity, it can be quite challenging to navigate through issues regarding the same. Accessibility to affordable and quality mental health services is a serious difficulty that the queer Indian population faces.