LGBTQIA
It’s time to scrape off the thick dark crusts of carelessly slapped-on murky hues of toxic masculinities and to bring out the brushes and the paints to paint masculinities in their true and glorious colours of life, freedom and love.
Gender has perplexed me throughout life. I never quite understood femininity or masculinity much – I mostly lived in what other people thought I was. One thing I did know always is that I never, ever, want to be seen as a man. But can I still hold masculinity?
My assertion of my gender was not because of masculinity, it was because of the feminism which I practised – and that gave me this chance to come back to what I was. To assert what I was and to assert what I am.
…we must also address men’s relationships with their spouses, other men, women and children in the community, and importantly, their own emotional selves to transform fatherhood. Therefore, engaging with men as fathers must involve a holistic understanding of their socialisation, emotional world, and position within patriarchal structures.
In the fast-paced digital world of clickbaits and instant gratification, where you can be ‘cancelled’ or ‘trending’ within the same minute, the very act of men talking to other men about alternative masculinities, has the ability to disrupt hierarchies of power, to disrupt the algorithm, to disrupt patriarchy.
I have dealt with having a non-masculine body since the time I was a teenager. I have questioned my sexuality and how it interacted with my non-masculine body.
Unlike many trans-masculine people who identified as lesbians/tomboys/butch pre-transitioning, I refused to abandon my ‘lesbian’ identity post-transitioning. A negotiation that took time to flourish.
He didn’t wear his identity on his sleeve, and therefore he seemed more real than most people who did.
किशोरावस्था के दौरान जब हम अपनी यौनिकता से रूबरू हो रहे होते हैं, तब सामाजिक तौर पर हमे बताया गया जेंडर ही निर्धारित करता है कि हम अपनी पहचान कैसे बना रहे हैं जो ज़्यादातर मामलों में हमारी पूरी ज़िन्दगी को प्रभावित करती है।
दो कविताएं – हवेली आधुनिकता के आवरण में क्षयग्रस्त पारंपरिक पुरुषत्व को दर्शाती है, जबकि चारपाई कठोर और लचीली अभिव्यक्तियों के बीच विरोधाभास प्रस्तुत करती है, जहां जो जिस चारपाई पर बैठते हैं, उसके गुणों को अपनाते हैं, जो भिन्न-भिन्न पुरुषवादी पहचानों का प्रतीक है।
Even her talking to other men elicits a growl from these men, and it’s all supposed to be okay because they’re billionaires and 6’5 feet tall or something, oh and did I mention the abs?
Apart from the masculinity portrayed in commercial films with heterosexual tropes, Bollywood has produced movies portraying distorted female masculinity.
Z is forced to wear the mask of masculinity, a mask made of the various tropes of stereotypical masculine energy…
The novel turns the idea of masculinity on its head through the story of Brit, a boy who is as sharp as he is fragile. Born with osteogenesis imperfecta, Brit’s bones break easily, but his spirit doesn’t.
Masculinity is like a script given to boys early in their lives. There is a constant pressure to fit into the box of toughness, and be silent and dominating. But what if we all rewrite this script?