Gender
It’s time to scrape off the thick dark crusts of carelessly slapped-on murky hues of toxic masculinities and to bring out the brushes and the paints to paint masculinities in their true and glorious colours of life, freedom and love.
Gender has perplexed me throughout life. I never quite understood femininity or masculinity much – I mostly lived in what other people thought I was. One thing I did know always is that I never, ever, want to be seen as a man. But can I still hold masculinity?
My assertion of my gender was not because of masculinity, it was because of the feminism which I practised – and that gave me this chance to come back to what I was. To assert what I was and to assert what I am.
…we must also address men’s relationships with their spouses, other men, women and children in the community, and importantly, their own emotional selves to transform fatherhood. Therefore, engaging with men as fathers must involve a holistic understanding of their socialisation, emotional world, and position within patriarchal structures.
I have dealt with having a non-masculine body since the time I was a teenager. I have questioned my sexuality and how it interacted with my non-masculine body.
Unlike many trans-masculine people who identified as lesbians/tomboys/butch pre-transitioning, I refused to abandon my ‘lesbian’ identity post-transitioning. A negotiation that took time to flourish.
He didn’t wear his identity on his sleeve, and therefore he seemed more real than most people who did.
क्वीयर मर्दानगी एक वैकल्पिक मर्दानगी है जो पितृसत्तात्मक और विषमलैंगिक मानदंडों को अक्सर चुनौती देती है और मर्दानगी के स्वरूप को अधिक समावेशी बनाती है।
दो कविताएं – हवेली आधुनिकता के आवरण में क्षयग्रस्त पारंपरिक पुरुषत्व को दर्शाती है, जबकि चारपाई कठोर और लचीली अभिव्यक्तियों के बीच विरोधाभास प्रस्तुत करती है, जहां जो जिस चारपाई पर बैठते हैं, उसके गुणों को अपनाते हैं, जो भिन्न-भिन्न पुरुषवादी पहचानों का प्रतीक है।
पितृसत्तात्मक समाज में, पुरुषत्व एक विशेष प्रकार के व्यवहार के रूप में प्रकट होता है, जैसे नियंत्रण करना और हावी होना, अक्सर हिंसक तरीकों से।
Even her talking to other men elicits a growl from these men, and it’s all supposed to be okay because they’re billionaires and 6’5 feet tall or something, oh and did I mention the abs?
Men perform an identity that they don’t fully understand. The pressure to appear strong while feeling the full range of emotions that they cannot express creates a hollow inside, creates a quiet dissonance, a loneliness that is rarely spoken of but deeply felt.
Z is forced to wear the mask of masculinity, a mask made of the various tropes of stereotypical masculine energy…
Adolescence manages to highlight the reality of growing up in a world with the Internet where everything – the good, the bad, the questionable – is only a touch away.
Masculinity is like a script given to boys early in their lives. There is a constant pressure to fit into the box of toughness, and be silent and dominating. But what if we all rewrite this script?