Desire
The First International Film Festival for Persons with Disabilities was recently organised by the Ministry of Social Justice and Empowerment…
The sheer ignorance of the intricacies of consent, or its performance, serves only to strengthen the enduring patriarchal framework that holds sway in a society where the bodies, desires, and even voices of women have been, and, tragically, continue to be, defined and controlled by men.
Consequently, a “yes” – whether verbal or gestural – cannot be shallowly inferred as an authentic, unambiguous, and static agreement to a “contract” proposed by men.
The issue with the ‘Aunty’ body arises from a deeply misogynistic and dehumanising understanding of women. In this imagination the woman, whom the world now addresses as ‘Aunty’, has basically served her purpose of marriage and child bearing, and is hence rendered useless.
Apart from the masculinity portrayed in commercial films with heterosexual tropes, Bollywood has produced movies portraying distorted female masculinity.
Intimacy can never thrive in an environment of rigid certainty. Intimacy requires surrender – not in the sense of submission – but in the willingness to be with another person without detachment or defences.
When a woman, in her own house, is told by her family members, to always seek their consent before doing anything, and to always keep them informed of every activity she engages in, or even to seek a job in her chosen field, her freedom is taken away from her. She is expected to take their consent for anything and everything, but her own consent is taken away from her.
We all are members of ‘The Side People’. No, we don’t sit around a table every Saturday to cry.
People looking for queer plots in Bollywood are sometimes disappointed, as the focus on marriage in many films seems to suggest that Bollywood is a conservative genre invested in sanctifying reproductive heteronormativity.
This question is for the women. Have you ever sat in the ladies compartment of a Bombay local train and cried quietly, oddly comforted by a crowd of unknown women?
People in the city move from their homes to their workplaces and back to their homes. The production of this everyday rhythm of the city makes people accustomed to the sexual overtones that come with it.
People in the city move from their homes to their workplaces and back to their homes. The production of this everyday rhythm of the city makes people accustomed to the sexual overtones that come with it.
Z is forced to wear the mask of masculinity, a mask made of the various tropes of stereotypical masculine energy…
Because we also understand and acknowledge the power of a single step forward, we decided to deep dive into working with sign languages for people who are deaf or hard of hearing and including them in the safe abortion rights dialogues.
Roland Barthes writes in A Lover’s Discourse that we begin to think of ‘love’ as an idea only when our beloved or the object of desire has departed – either when love has failed, or in the absence of the lover – that is absolutely crucial to any theorisation of love.