Cinema
आनंदमय अज्ञानता से असमानता की समझ
अपने बच्चों को बाहरी दुनिया की बुराइयों से बचाने की अपने यक़ीन के कारण भारतीय परिवार इस सच्चाई को नज़रअंदाज़ कर देते हैं कि बच्चों को भी दुनिया को समझने के लिए तैयारी की ज़रुरत होती है।
By Aditi Mishra
November 19, 2024
Queer Stories for Queer People
The relationships that are portrayed in queer media also often transcend all attempts at categorisation, but are still undeniably queer – as are the characters whose inescapable push-and-pull, to their audience, often becomes the plot itself.
By Malavika Krishna Kumar
March 18, 2024
Queering the Narrative: The Evolution of LGBTQ+ Themes in Hindi Cinema
Despite the progress made, Hindi cinema still faces challenges in accurately representing the diversity of LGBTQ+ experiences. Critiques have been raised regarding the tendency to prioritize cisgender, upper-class narratives.
By Taarina Therese Chandiramani
From Blissful Ignorance to Unlearning Inequality
As individuals who are now privileged enough to address issues concerning mental and emotional health as compared to our parents and the generations before them, it is still quite disturbing to observe emotional/ psychological violence happening to women at different levels.
By Aditi Mishra
March 18, 2024
Joyland – Gazing Back Through the Lens of Desire
Directed by Saim Sadiq, Joyland (2022) is not a film about trans rights or women’s rights. It is not even about one specific group or community of people. It is about the whole spectrum of human emotions.
By Trijita
March 18, 2024
Masculinity, queer representation, and the motifs of movement in ‘Dedh Ishqiya’
The film has all the makings and trimmings of a commercial thriller – a dynamic story, song and dance, an action-packed climax – and at the same time, it is a cinephile’s film.
By Srishti Gupta
The Falsity of ‘Happily-Ever-Afters’: Examining Coupledom in ‘Lust Stories’
The anthology’s pull rests in its sincere and frank portrayal of male and female desires cutting across the divides of age, sexuality, and socioeconomic position. In terms of romance, the idealistic, till-death-do-us-part fantasy peddled by our movies and mainstream literature has been replaced by a realistic portrayal of modern relationships.
By Srishti Gupta
Brajabuli as a vehicle of queer desires: love songs in Rituparno Ghosh’s films
In my opinion, Ghosh was in search of a language of cinema which could be adequately expressive of queerness; he was slowly moving towards inventing that language, which would not be alienating to his conformist audiences, yet, would be intelligibly pleasurable to his (informed) queer viewers.
By Kaustav Bakshi
Video Page: ‘Zinda Laash’, Bollywood’s Norms for ‘Dhandewali’s
“‘Dhandewali’s must smoke; paan is a must; a ‘dhandewali’ can never escape her identity; ‘dhandewali’s must dress ‘differently’… Spanning over 6 decades of Bollywood cinema, ‘Zinda Laash’ highlights how very little has changed across the ages when it comes to the industry’s representation of women in prostitution. Humorously drawing attention to stereotypes, while poignantly highlighting myths, ‘Zinda Laash’ is a tribute to every sex worker who is not recognised as a woman or a human being.”
By Curated Content
Issue In Focus: A Travelling Sexuality
Travel and sexuality throws up different thoughts and feelings for us all. For me, it threw up the term travelling sexuality. I like it. Travelling sexuality. It sounds exotic or intellectual, adventurous, dangerous, depending on who you are and how you live life. A travelling sexuality could describe the way we evolve as sexual beings, shifting and changing identities.
By Shikha Aleya
March 1, 2016
