100 issues, 8 years! Thank you, dear readers and contributors! As we planned for this issue to put on our party hats and sing and dance, we also asked, is celebrating sexuality easier for some than for others? What makes it so and what do we need to make celebrating sexuality possible, safe and inclusive…
As a generation X-er I grew up in a world that was challenging sexuality but only encountered the instability of gender as an adult in radical new academic texts which were not then yet part of our everyday narratives. My daughter born between Gen Z and Gen Alpha is growing up in a world of gender fluidity and multiple pronouns.
In this write up, we'd like to share a sense of what emerges from a compilation of these responses. This is based on the thoughts and feelings that come through for those of us here at In Plainspeak who have had the joy of reading the original responses as they came in to us. (Some of the quotations that follow have been slightly edited for flow and to help connect themes.) We know that most things in the realm of art, information and ideas lend themselves to a wide range of inferences and insights depending on the individuals making the inferences.
Nathicharami takes sexuality and sexual desire away from upper-class, Gucci-clad women and makes its viewers acknowledge its existence in the lives of women (middle-class wives and widows, in the case of this film) who are invisibilised, both in the society they live in and as subjects of popular content.