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You see, numbers are tricky, data is tricky. More importantly, data is dehumanising. Add sexuality and intimacy to this and the waters get even murkier. Maybe it’s good to leave a few things unaffected by too much data. Maybe we do not want to talk about data and sexuality. Maybe we instead want to talk about why data around gender and sexuality must not be recorded, and instead, maybe focus on why we should honour every kind of sexual preference which is within the purview of the safe and consensual.
As clear as I was about my sexuality, I was just as unclear about how I wanted to look and what felt good.
The replacement of the traditional Durga idol by that of the Ardhanarishwara, without any obdurate protest, highlights the true carnivalesque spirit of Kolkata’s most looked-forward-to festival.
In the uncertainty and volatility of the pandemic, Pramada Menon examines what has changed for herself, for the world, and for the various attributes of the workplace – mentorship, conversations, power, and purpose, among others.
One morning at the programme, I found he was ignoring me. I was also busy with my assigned work so I was not able to follow up with him until the break. During the break, he came and sat next to me, came closer and suddenly kissed me on the cheek.
When recently reading about the spouses of H1-B ‘skilled guest worker’ visa holders, certain themes resonate with me. These women discuss how it was not just their CVs that suffered from the forced career break – until 2015, spouses on restrictive H-4 paperwork were forbidden from pursuing employment in the U.S. – but that their core sense of self took a hit.
(Tread gently. This article contains material on sexual assault) Dear A, I don’t know why I’m writing this. Maybe it…
Paan is not only the bearer of stories but a medium through which these stories were told. And each ingredient that goes into the making of a paan has its own narrative.
There are a number of different ways to approach this theme, Films and Sexuality. One way is through the eyes of the popcorn-eating, samosa-chomping, money-paying audience member who chooses to see or not see a film, who likes or dislikes it, who makes the film a box-office hit, or pans it.
Fifteen percent of the global population lives with a disability1, and these are the recorded numbers only for officially recognized disabilities….
He is the founder of a number of support organisations that focus on sexuality and disability issues at the grassroots. Over multiple conversations conducted in Hindi and English, Kiran and Shikha Aleya discussed issues of sexuality, access and disability based on some of Kiran’s life experiences.
I WAS 26 YEARS OLD in 1988, living in Delhi, where I had recently moved after several years as a…
Tatyana Fazlalizadeh Takes Her Public Art Project to Georgia By FELICIA R. LEE APRIL 9, 2014 Tatyana Fazlalizadeh pasted her self-portrait Friday…
I had my sexual awakening in college. Or rather, the realisation that I would never have a ‘sexual awakening’ hit…