A digital magazine on sexuality in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame

sexual and reproductive health and rights

A photograph of two yellow flowers blooming amid grass. Dark green leaves are emerging from behind the flowers' petals.

Editorial: Representation and Sexuality

We are, all of us, trying to hold steady, and to hold space for each other and for ourselves. And so, instead of trying to put together a collection of ‘all new’ articles, this time we are republishing some ‘ever fresh’ ones on the theme of Sexuality and Representation.
A digital illustration of networks, with many white lines criss-crossing, intersecting, and branching out across a grey-blue background. Wherever the lines intersect in the web of networks is a small white dot.

Editorial: Data and Sexuality

While we are struggling with the vicissitudes brought on by the pandemic we are also forced to spend more time online, to look for resources in terms of health care or caregivers, to reach out to people and build a communities of care, to take a break, or to try and hook-up online for a while.
An image of a part of the Earth as seen from outer space. Only a semicircular part of the Earth has been captured, with a black background. On the surface of the Earth that is visible are golden branch-link lines and patches of golden light to indicate connectivity.

Is Digital Colonisation Redefining the Understanding of Agency, Bodily Autonomy, and Being Human?

Apart from systematic exclusions faced by individuals, evidently the mandatory use of a biometric-based digital ID has also reshaped the understanding of an individual’s agency and right to bodily autonomy. Gender and sexuality seem to no longer be matters of an individual’s right to privacy. With digitisation, disclosure of one’s gender and sexuality has become a hindrance to accessing one’s rights.
On a black background, binary digits are displayed in white, as if on a screen. In the middle is a red heart shape, made from the binary digits.

Interview – #covid19 and conversations online: Listening in

We are plugged in to all kinds of data from a variety of sources, through technology, and even a window view of this space is like stepping into a global COVID control data centre. We are standing up to be counted, to be seen, to do, to contribute, to advocate, to remind, to rectify and restore, to strengthen a growing network of support and response to crisis on a scale we have neither been able to process or measure.
A poster of the film 'North Country'. On the poster: in the middle, Charlize Theron's face and shoulders. She is wearing a yellow bandana and a grey-beige t-shirt. She is looking at the camera, wide-eyed. Behind her is a crowd of men, a bit transparent. The lettering under her is in white, saying NORTH COUNTRY. Above her, the lettering says, 'ALL SHE WANTED WAS TO MAKE A LIVING, INSTEAD SHE MADE HISTORY' and underneath the title of the film are details about its cast and production.

Invisible Women

I recently watched North Country on Netflix, a movie based on a true story of a woman’s fight for equality at the workplace. It is based on the case, Jenson vs Eveleth Mines, in the United States in which Lois Jenson, fought for the right to work as a miner, and the right to work free of sexual harassment. She won the landmark 1984 lawsuit, which was the first class-action lawsuit on sexual harassment at the workplace in the United States and resulted in companies/organisations having to introduce sexual harassment policies at the workplace.
A screenshot of the Feminism in India illustration for the article. An illustration. On a green background which denotes a building, two women talking. One is wearing a yellow dress and has black hair tied in a bun. She is saying, depicted in a black bubble with white lettering, '10 MINUTES LATE BOOKING CANCEL' and on the other side is a woman in an olive top and a brown backpack. Her hair is in a ponytail and she is looking at the other woman with a white phone in her hand. Underneath, in white typography, 'The Struggle of Beauty Workers In On-Demand Digital Platforms'. On the top-left corner is Feminism in India's logo.

The Struggle Of Beauty Workers In On-Demand Digital Platform

If you live in an urban metropolitan city, you must have seen women dressed up in company uniform, carrying a heavy bag on their shoulders, their attire shouting a brand name with logos all over her. Their bodies become an advertising ground for a company’s marketing. Sometimes, the bag is a portable salon that they carry to their client’s (home), who book the beauty service using a mobile application. These ‘workers’ enroll themselves on the platform company that operates as an intermediary, to get bookings on-demand.
Many question-mark shaped lights thrown together to give an effect of darkness, and two of them glowing. One is blue and the other is yellow.

Musings of a Sexuality Educator

To be a support system is to be a safe space for them where they can reflect upon, experiment with and understand themselves. A space where people not only come to terms with their individual selves, sexual or otherwise, but also where they become increasingly aware of their own rights.
x