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Editorial: Representation and Sexuality
A photograph of two yellow flowers blooming amid grass. Dark green leaves are emerging from behind the flowers' petals.
Editorial: Representation and Sexuality

We are, all of us, trying to hold steady, and to hold space for each other and for ourselves. And so, instead of trying to put together a collection of ‘all new’ articles, this time we are republishing some ‘ever fresh’ ones on the theme of Sexuality and Representation.
By TARSHI
June 15, 2021
Editorial: Representation and Sexuality
Following Aladdin’s Genie
A photograph of a white bedsheet with blots of maroon-burgundy lipstick stains smudged across it.
Following Aladdin’s Genie

The lip colour then enters into a rather queer state of existence as it refuses to stand by the label it is expected to conform to. It moves and escapes categorisation. In its queerness, it renders itself as a paradox. At the heart of paradoxes is the understanding that something is what it is also not. Similarly, the colour of this lipstick is nude, but it is also not. It is possible that it is because of this slippery nature of the paradox that my sexuality as my identity too remains slippery, in motion and fluid.
By Muskan Nagpal
June 15, 2021
Following Aladdin’s Genie
Review: I see you
A still from the film 'A Kid Like Jake'. In a city-background with houses to the right and a car to the left, three figures: a blonde woman wearing a black and white striped t-shirt, blue jeans, and a beige coat, carrying a brown bag on her shoulder is holding a child's hand from the left. The child is wearing a purple, glittery tutu and a blue shirt. Their arms are outstretched and on the right side, held by a man wearing a peach shirt, blue hoodie and blue jeans. He has black hair. Both the man and the woman are looking at the child.
Review: I see you

My friend’s son, too, likes wearing tutus and frilly skirts. Every time they go shopping for clothes, he heads to the girl’s section and picks out the frilliest outfit. At check out, invariably the cashier asks if the pretty outfit is for his sister and he confidently says it is for him. Often he wears these outfits to school. His confidence comes from his mother’s acceptance of him and her understanding of his gender expansiveness. It helps that she is a sociologist, but there is a constant pushback from society including from his peers at school who bully the little boy. But it is the constant support from his mother and family that allows him to remain confident and thrive whilst being different.

By ElsaMarie D'Silva
June 15, 2021
Review: I see you
On Sexuality, Representation, and Being a Lonely Brown Girl
The cover image of the article with the typography, in white, 'On Sexuality, Representation, and Being a Lonely Brown Girl' and under it in smaller font: September 12, 2017 / Nisha Eswaran' The background is a fade-effect illustration of a brown woman wearing a white-lilac top with black hair open. She is standing in a field of sunflowers, yellow and brown with green leaves and brown-black mountains far back. The woman's face has been made without any features.
On Sexuality, Representation, and Being a Lonely Brown Girl

I long for much more than a greater representation of brown women. I long for a complete overhaul of the racial, gendered, and economic systems that structure our suffering.

But I also long for representation of all people, including brown women, who are in love, who are loveable, and who are — in the absence of love — lonely.
By Curated Content
June 15, 2021
On Sexuality, Representation, and Being a Lonely Brown Girl
Swipe me left, I’m Dalit
An abstractly made illustration of a landscape with mountains depicted in yellow, and below, a blend of green-blue to depict oceans. The texture of the colours evokes waves as well as ice. On the left is a paper boat, yellow-white with blue-green hues, carrying a red rose-like flower in the middle.
Swipe me left, I’m Dalit

Dalit women are primarily viewed as victims and survivors of various kinds of violence. Reification of the Dalit identity has led to the boxing of our existence whose dimensions are solely defined by the savarna (dominant caste) gaze. Our self-assertions of identity are commodified to create a warped limiting of our lives, creating an image that is voiceless in the minds of our potential suitors. We are not seen as being capable of desire, love or happiness; we don’t exist as individuals outside of violence.
By Curated Content
June 15, 2021
Swipe me left, I’m Dalit
Interview – #covid19 and conversations online: Listening in
On a black background, binary digits are displayed in white, as if on a screen. In the middle is a red heart shape, made from the binary digits.
Interview – #covid19 and conversations online: Listening in

We are plugged in to all kinds of data from a variety of sources, through technology, and even a window view of this space is like stepping into a global COVID control data centre. We are standing up to be counted, to be seen, to do, to contribute, to advocate, to remind, to rectify and restore, to strengthen a growing network of support and response to crisis on a scale we have neither been able to process or measure.
By Shikha Aleya
May 15, 2021
Interview – #covid19 and conversations online: Listening in
Invisible Women
A poster of the film 'North Country'. On the poster: in the middle, Charlize Theron's face and shoulders. She is wearing a yellow bandana and a grey-beige t-shirt. She is looking at the camera, wide-eyed. Behind her is a crowd of men, a bit transparent. The lettering under her is in white, saying NORTH COUNTRY. Above her, the lettering says, 'ALL SHE WANTED WAS TO MAKE A LIVING, INSTEAD SHE MADE HISTORY' and underneath the title of the film are details about its cast and production.
Invisible Women

I recently watched North Country on Netflix, a movie based on a true story of a woman’s fight for equality at the workplace. It is based on the case, Jenson vs Eveleth Mines, in the United States in which Lois Jenson, fought for the right to work as a miner, and the right to work free of sexual harassment. She won the landmark 1984 lawsuit, which was the first class-action lawsuit on sexual harassment at the workplace in the United States and resulted in companies/organisations having to introduce sexual harassment policies at the workplace.
By ElsaMarie D'Silva
May 15, 2021
Invisible Women
Brushstrokes: Digital security guide: How to protect yourself on dating apps
An illustration of a ruled sheet. The lines are orange in colour. In the middle is a smartphone with a woman's face and torso on the display. She has curly brown hair and is wearing a blue turtleneck. Underneath is written, Lu, 28, and the symbols of Swipe Yes or No and two other buttons as on a dating app interface. On either side of the smartphone are flowers with stems and leaves. The flowers are red, and two in each bouquet. Above, in big letters, outlined in black and coloured in bright green: How to Date Online Safely. And underneath the smartphone illustration, in black, "Online dating can be fun. But there are some risks. Malicious actors can use your profile to blackmail, hurt, or harass you. This guide contains helpful tips and resources to protect you'
Brushstrokes: Digital security guide: How to protect yourself on dating apps

Online dating can be great fun but it comes with some risks. This quirky and in-depth Digital Security Guide by Access Now on How to Date Online Safely tells us how we can engage with fellow dating-app users while making sure we are safe from harm.
By Curated Content
May 15, 2021
Brushstrokes: Digital security guide: How to protect yourself on dating apps
Editorial: Vulnerability and Sexuality
A photograph of a brown coloured snail lying on green grass
Editorial: Vulnerability and Sexuality

Vulnerability – is it a condition we find ourselves in? A state of being we choose? Let’s keep it very simple: it depends on the approach we take to defining it. In the former approach, we are ‘done to’, while in the latter we are consciously ‘doing’.

By TARSHI
April 19, 2021
Editorial: Vulnerability and Sexuality
Brushstrokes: Vulnerability and Sexuality
Sketch of two persons sitting with their heads, hands, and legs touching each other
Brushstrokes: Vulnerability and Sexuality

Her artworks illustrate discoveries, intimacies, and vulnerabilities during a time when identities are coalescing that may affect how we eventually come to become.
By Prachee Batra
April 19, 2021
Brushstrokes: Vulnerability and Sexuality
Tinderization of Feeling
Image of two dolls swaying their legs and arms. The doll on the left has long hair and is wearing a red coloured head scarf on its head and a white sweater and black pants. The doll also has makeup on its face. The doll on the rights has short hair and is wearing a white sweater with grey pants. The doll has a black woolen scarf around its neck
Tinderization of Feeling

To be without intricacies is to be without emotional boundaries, to disregard whoever whenever. Besties save you from your shit. They are your heart, and they transcend any efficiency that the Tinderization Bestie Robot attempts to offer you in its binary fantasy.
By Curated Content
April 19, 2021
Tinderization of Feeling
Why Don’t Indian Families Say “I Love You”?
A drawing of four people in a red background. Behind them are drawings of buildings and clouds. The four faces have different expressions on them- two can be seen smiling, the third person has a neutral expression and the fourth person has a sad expression. Three hearts are also drawn on the first, second and the fourth person.
Why Don’t Indian Families Say “I Love You”?

Indian families rarely say “I love you” to each other. Maybe it is an extension of the fact that parents are awkward while displaying any sign of affection to each other around their kids or elders.
By Curated Content
April 19, 2021
Why Don’t Indian Families Say “I Love You”?
Interview – Indu Harikumar
Interview – Indu Harikumar

I was watching something recently that said it was a bad thing to be vulnerable, but I don’t think it is a bad thing. I do see that there is a certain amount of power in vulnerability, it also needs courage, in my experience.
By Shikha Aleya
April 5, 2021
Interview – Indu Harikumar
Being Comfortable in My Skin
Being Comfortable in My Skin

I felt naked in front of everyone when I first came out, and I can’t stress enough how much my male privilege has helped me out here. I don’t even know if people found it serious enough to consider it my identity instead of ‘a mere sexual preference’ or ‘a phase’ (always a classic dismissal).
By Gokul KP
April 5, 2021
Being Comfortable in My Skin
Communication: A Path to Vulnerability
A black and white photograph of two children walking on an empty road. One child’s hand is on the shoulders of the other child
Communication: A Path to Vulnerability

We must all care for ourselves and be discerning about when and where and with whom we show our cards…but those who can hold our emotional and sexual vulnerability are out there, and we can find them and be all of who we are.
By Shilpa Sachdeva
April 5, 2021
Communication: A Path to Vulnerability
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