A digital magazine on sexuality in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame

make up

A photograph of a white bedsheet with blots of maroon-burgundy lipstick stains smudged across it.

Following Aladdin’s Genie

The lip colour then enters into a rather queer state of existence as it refuses to stand by the label it is expected to conform to. It moves and escapes categorisation. In its queerness, it renders itself as a paradox. At the heart of paradoxes is the understanding that something is what it is also not. Similarly, the colour of this lipstick is nude, but it is also not. It is possible that it is because of this slippery nature of the paradox that my sexuality as my identity too remains slippery, in motion and fluid.
Wall-art of a face till the bridge of the nose. The face is coloured in peach, grey, and shades of blue. The eyes, green, are lined in black and have spots of yellow, brown, and blue colour around them. Under the left eye, there are yellow dots. The hair is streaked with purple and blue.

Probing the Screen: Pleasure in the Virtual World

The virtual world allows me to challenge the hold of patriarchy on my ‘effeminate’ body; in a sense, it allows me to evade the policing of desire that my body shares with another, its flows and slippages, the messy and the unkempt. While virtual sex offers a window to revisit the sensual, it is also not immune to limitations and insecurities.
Two dandelion flowers in a glass vase on a pink background.

A ‘girly’ feminist

Desiring motherhood meant veering into a more ‘girly’ territory, a notion that I had simultaneously been fighting and trying to embrace since childhood. I had understood that to be a feminist I had to be independent, be wary of men, dislike families and relationships.
beauty and Sexuality: Picture of a flower with a thick green stem and little pink buds emerging from all directions

Editorial: Beauty and Sexuality

Beauty gleams in unexpected places, but its effulgence turns to tawdry glitter when it is shaped and squeezed into form-fitting frames. Rigid ideas of what is beautiful or desirable can reinforce oppressive structures. However, when these concepts are more flexible they can be subversive as well.
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