Feminism
I keep on hold the colours and prints to wrap you in gentle delicate flowers or little cartoon lions and boys with fists that say Bam and Super / until I know what lies between your legs the cigar or the smile of consolation if you’re the first
While navigating hook-up culture, we may exercise our agency to express our sexuality but at the same time, may face risks to our safety and bodily integrity as well as obstacles engendered by misogyny, rape culture, heteronormativity, and double standards.
Facebook. Google. Apple. Microsoft. Amazon. As the white male-dominated Big Five in Silicon Valley monopolise most platforms that guide online interactions almost everywhere outside China, any aspiration towards a feminist revolution has become capitalised.
Though writing about feminism and being in a position to voice out one’s opinions about the injustices and inequities that continue to exist in society is still relevant, times are also changing as we begin to understand intersectionality as an all-inclusive concept and the positions we speak from.
Manto’s writings reflected both his own context and more. His stories dealt with eternal issues like love, deceit, pain, friendship and materialism. They also dealt with the specificity of national liberation movements, partition and the class-caste-religion matrix influencing human relationships in the particular context of South Asia.
Kiran Bhat is an author and polyglot who speaks 12 languages, and has written in English, Kannada, Spanish, Portuguese, and Mandarin. His recently published book, We Of the Forsaken World, has been described as “the tales of not just sixteen strangers, but many different lives, who live on this planet, at every second, everywhere”.
Standing behind the camera, with a microphone in one hand, I have felt this power imbalance first hand. The camera may humanise the person in front of it more than a text analysis would, but the modes of production remain in someone else’s hands.
Tales delicately yet powerfully draws out the conflict between sex workers and feminism in India,at a time when a lot of feminists thought of prostitution through a SWERF lens[1].
As we move into a new year and a new decade we hope to be moving towards a more just and peaceful world, especially given the troubled times that people all over the world have been and are currently experiencing. And so, in this new year, we wish you lots of SISA spaces through 2020 and beyond!
How we treat each other in our daily lives informs our feminist praxis. How we fail each other in our daily lives through the use of unkind language, dismissal of mental illnesses, making fun of one’s own choices, disrespecting personal boundaries (and so on), also counter our feminist praxis.
In a time when reason is more valued than emotion, unravelling and understanding the politics of self-care becomes all the more fundamental for us, and the movements we seek to develop and build. When our bodies, our emotions and our needs become weapons to be used against us, acts of defiance become rooted in thinking about your self and how we practice it.
If feminism is about fighting for equality, then how can we ensure that our feminism is truly inclusive and equal? Does it feature only a certain kind of voice or experience, and not take into account the multiple axes of oppression that another group of people may face?
The use of terms that convert the movement for women’s empowerment into extreme militancy in order to reject the movement altogether is indeed a sombre example of diverting attention from the real problems that exist in society and projecting women’s protests against sexual crimes or standing up for their rights as one of “mob lynchings” or wrongly adducing the news of repealing “Adultery” as a move that allows women to have sexual relations outside of marriage.
I was focused on becoming the ‘perfect’ feminist, based on the stipulations of mainstream feminism. The result: a deeply narrow conception of feminism,and it would take years to unlearn the ‘black-and-white’ mentality and embrace intersectionality.
Deena Mohamed, Egyptian artist, illustrator and designer, speaks to us about her art and her perspective on politics, patriarchy, feminism, and gender and sexuality.