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Invisible Women
A poster of the film 'North Country'. On the poster: in the middle, Charlize Theron's face and shoulders. She is wearing a yellow bandana and a grey-beige t-shirt. She is looking at the camera, wide-eyed. Behind her is a crowd of men, a bit transparent. The lettering under her is in white, saying NORTH COUNTRY. Above her, the lettering says, 'ALL SHE WANTED WAS TO MAKE A LIVING, INSTEAD SHE MADE HISTORY' and underneath the title of the film are details about its cast and production.
Invisible Women

I recently watched North Country on Netflix, a movie based on a true story of a woman’s fight for equality at the workplace. It is based on the case, Jenson vs Eveleth Mines, in the United States in which Lois Jenson, fought for the right to work as a miner, and the right to work free of sexual harassment. She won the landmark 1984 lawsuit, which was the first class-action lawsuit on sexual harassment at the workplace in the United States and resulted in companies/organisations having to introduce sexual harassment policies at the workplace.
By ElsaMarie D'Silva
May 15, 2021
Invisible Women
PRIVATE PARTS: OBSCENITY AND CENSORSHIP IN THE DIGITAL AGE
An illustration with a pink background. To the left, the torso of an individual with long hair, wearing a shirt, belt and shorts is visible. To the right are a smartphone, diary and a magazine that has a woman's face and the typography: 'Love' and 'Sex'.
PRIVATE PARTS: OBSCENITY AND CENSORSHIP IN THE DIGITAL AGE

Around the world, LGBTQ+ activists, queer ‘sex-positive’ feminists, sex-workers, artists and educators are leading the charge against the increasingly complex webs of regulation and censorship of sexuality online, where corporate policies intersect with restrictive state law.
By Curated Content
September 15, 2020
PRIVATE PARTS: OBSCENITY AND CENSORSHIP IN THE DIGITAL AGE
For the love of technology! Sex robots and virtual reality
A white woman about to kiss a seemingly ‘male’ robot.
For the love of technology! Sex robots and virtual reality

People we refer to as “digisexuals” are turning to advanced technologies, such as robots, virtual reality (VR) environments and feedback devices known as teledildonics, to take the place of human partners.
By Curated Content
August 14, 2020
For the love of technology! Sex robots and virtual reality
I DELETE MYSELF: ANONYMITY AND SEXUALITY ONLINE
On a black background, in capital letters, the words “I DELETE MYSELF”. The background has lines from the poem Delete by The Weird Queer Kid.
I DELETE MYSELF: ANONYMITY AND SEXUALITY ONLINE

Cyberspace has given the queer woman a chance to problematize the existing gender and sexual identities which, like any identity, is not static. It allows her to create and occupy spaces which will give her freedom and power in a way that the misogynistic physical world cannot provide.
By Curated Content
August 14, 2020
I DELETE MYSELF: ANONYMITY AND SEXUALITY ONLINE
The Future Is TransFeminist: from imagination to action
An illustration of a woman’s face and torso, superimposed with markers of digital engagement. Behind her, two octopus arms and from under the torso, palms and leaves flowering.
The Future Is TransFeminist: from imagination to action

Facebook. Google. Apple. Microsoft. Amazon. As the white male-dominated Big Five in Silicon Valley monopolise most platforms that guide online interactions almost everywhere outside China, any aspiration towards a feminist revolution has become capitalised.
By Curated Content
August 14, 2020
The Future Is TransFeminist: from imagination to action