Voices
Pleasure, in the context of the private, defines the parlance of sexual satisfaction. As a womxn, the private is also the public: how I present and play with my gender, is a way of seeking validation of who I am.
This article was originally published here. The canvas of a city is experiential – from the walls and windows that…
Last year, I received a research fellowship from the International Association for the Study of Sexuality, Culture and Society (IASSCS)…
The linkages between access, health, violence, the law, workplaces, gender and sexuality are really high and that’s why we all today—whether we are working on street accessibility, education, disability and employment—need to bring and build our collective understanding around gender and sexuality, keeping it at the core of our work with people, youth, and women with disabilities.
As clear as I was about my sexuality, I was just as unclear about how I wanted to look and what felt good.
The replacement of the traditional Durga idol by that of the Ardhanarishwara, without any obdurate protest, highlights the true carnivalesque spirit of Kolkata’s most looked-forward-to festival.
In the uncertainty and volatility of the pandemic, Pramada Menon examines what has changed for herself, for the world, and for the various attributes of the workplace – mentorship, conversations, power, and purpose, among others.
Paan is not only the bearer of stories but a medium through which these stories were told. And each ingredient that goes into the making of a paan has its own narrative.
There are a number of different ways to approach this theme, Films and Sexuality. One way is through the eyes of the popcorn-eating, samosa-chomping, money-paying audience member who chooses to see or not see a film, who likes or dislikes it, who makes the film a box-office hit, or pans it.
Fifteen percent of the global population lives with a disability1, and these are the recorded numbers only for officially recognized disabilities….