A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
In this month’s issue of Play and Sexuality, Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
I gave myself the freedom to choose. And I chose to re-examine my assumptions. Maybe it was possible to ask strange men for directions without being afraid of seeming vulnerable. Maybe I could plan my outfit without bothering about the fact that I would be travelling on public transport.
Of course, I knew I wasn’t the only person in the world writing about Sherlock Holmes. I, however, thought I was the only one in the world writing about them like that. You know.
Romantically.
Growing up, for me, has been about accepting that the loneliness and sadness woven into the fabric of my being do not go away with entering conventional arrangements like monogamous relationships or marriage.
मेरे जेंडर के बारे में उनकी प्रतिकारिता हमारी बातचीत में हर जगह होती है, लेकिन वह मुझे यह भरोसा देने में भी देर नहीं लगातीं कि मेरी ग़ैर-विषमलैंगिकतावादी यौनिकता ने उन्हें कभी परेशान नहीं किया।