A digital magazine on sexuality in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame

Violence against women

A digital illustration of networks, with many white lines criss-crossing, intersecting, and branching out across a grey-blue background. Wherever the lines intersect in the web of networks is a small white dot.

Editorial: Data and Sexuality

While we are struggling with the vicissitudes brought on by the pandemic we are also forced to spend more time online, to look for resources in terms of health care or caregivers, to reach out to people and build a communities of care, to take a break, or to try and hook-up online for a while.
A poster of the film 'North Country'. On the poster: in the middle, Charlize Theron's face and shoulders. She is wearing a yellow bandana and a grey-beige t-shirt. She is looking at the camera, wide-eyed. Behind her is a crowd of men, a bit transparent. The lettering under her is in white, saying NORTH COUNTRY. Above her, the lettering says, 'ALL SHE WANTED WAS TO MAKE A LIVING, INSTEAD SHE MADE HISTORY' and underneath the title of the film are details about its cast and production.

Invisible Women

I recently watched North Country on Netflix, a movie based on a true story of a woman’s fight for equality at the workplace. It is based on the case, Jenson vs Eveleth Mines, in the United States in which Lois Jenson, fought for the right to work as a miner, and the right to work free of sexual harassment. She won the landmark 1984 lawsuit, which was the first class-action lawsuit on sexual harassment at the workplace in the United States and resulted in companies/organisations having to introduce sexual harassment policies at the workplace.
A screenshot of the Feminism in India illustration for the article. An illustration. On a green background which denotes a building, two women talking. One is wearing a yellow dress and has black hair tied in a bun. She is saying, depicted in a black bubble with white lettering, '10 MINUTES LATE BOOKING CANCEL' and on the other side is a woman in an olive top and a brown backpack. Her hair is in a ponytail and she is looking at the other woman with a white phone in her hand. Underneath, in white typography, 'The Struggle of Beauty Workers In On-Demand Digital Platforms'. On the top-left corner is Feminism in India's logo.

The Struggle Of Beauty Workers In On-Demand Digital Platform

If you live in an urban metropolitan city, you must have seen women dressed up in company uniform, carrying a heavy bag on their shoulders, their attire shouting a brand name with logos all over her. Their bodies become an advertising ground for a company’s marketing. Sometimes, the bag is a portable salon that they carry to their client’s (home), who book the beauty service using a mobile application. These ‘workers’ enroll themselves on the platform company that operates as an intermediary, to get bookings on-demand.
Black-and-white illustration of a woman screaming with her mouth wide open. Screen reader support enabled. Black-and-white illustration of a woman screaming with her mouth wide open.

Brushstrokes: Downloadable People’s Movements Posters by Justseeds Artists’ Cooperative

“We believe in the transformative power of personal expression in concert with collective action. To this end, we produce collective portfolios, contribute graphics to grassroots struggles for justice, work collaboratively both in- and outside the co-op, build large sculptural installations in galleries, and wheatpaste on the streets—all while offering each other daily support as allies and friends,” they say.
Photo of a young female child in a white dress, saying 'who will melt my chains

Videos by Breakthrough

Breakthrough's video - Mann ke Manjeeré - winner of the Screen Awards 2001 in India and nominated for MTV's 'Best Indipop Music Video', reached 26 million households via six satellite music television channels, effectively mainstreaming discussions about domestic violence issues throughout South Asia and reaching as far as Tajikistan, Indonesia and the United States.  …
A series of photos of Indian goddesses shown with bruises on various parts of their face.

Review: Women We Worship, Women We Abuse

It is almost a year old, but the Abused Goddesses campaign created ripples in the fabric of activism that are worth revisiting. You’ve probably seen them too many times now, but I remember looking at the images for the first time and thinking how dramatic they were. Here were mythological characters from my grandmother’s stories,…
Picture of a female acid attack survivor. She is wearing a black headscarf and her eyes are turned downwards.

Mirroring Reality: A Conversation with Sabiha Sumar – Part 2

In continuation of Mirroring Reality: A Conversation with Sabiha Sumar  – Part 1 Sabiha Sumar presents the harsh reality of women’s lives in a poignant film ‘Saving Face’ – a documentary about survivors of acid-attacks in rural Pakistan. This time wearing the producer’s hat, she explained, 'Acid throwing is both an urban and rural phenomenon.…
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