make up
Following Aladdin’s Genie
The lip colour then enters into a rather queer state of existence as it refuses to stand by the label it is expected to conform to. It moves and escapes categorisation. In its queerness, it renders itself as a paradox. At the heart of paradoxes is the understanding that something is what it is also not. Similarly, the colour of this lipstick is nude, but it is also not. It is possible that it is because of this slippery nature of the paradox that my sexuality as my identity too remains slippery, in motion and fluid.
By Muskan Nagpal
June 15, 2021
Probing the Screen: Pleasure in the Virtual World
The virtual world allows me to challenge the hold of patriarchy on my ‘effeminate’ body; in a sense, it allows me to evade the policing of desire that my body shares with another, its flows and slippages, the messy and the unkempt. While virtual sex offers a window to revisit the sensual, it is also not immune to limitations and insecurities.
By Neel
June 15, 2021
A ‘girly’ feminist
Desiring motherhood meant veering into a more ‘girly’ territory, a notion that I had simultaneously been fighting and trying to embrace since childhood. I had understood that to be a feminist I had to be independent, be wary of men, dislike families and relationships.
By Anubha Sarkar
December 1, 2020
Editorial: Beauty and Sexuality
Beauty gleams in unexpected places, but its effulgence turns to tawdry glitter when it is shaped and squeezed into form-fitting frames. Rigid ideas of what is beautiful or desirable can reinforce oppressive structures. However, when these concepts are more flexible they can be subversive as well.
By TARSHI
October 15, 2018