Gender
As someone who was surrounded by the sounds of music at home from my early childhood and with a parent who worked in rural education programmes, forming connections between art and (social) change wasn’t too difficult, albeit extremely challenging to explain to many other people who didn’t necessarily see the power that art has to deliver a message or be used as a tool for change.
सामान्य तौर पर एक नारीवादी माँ का काम, जो रोज़मर्रा की चर्चा में यौनिकता के बारे में बात करने के लिए दृढ संकल्पी हो, अनिश्चितता से भरा है। अन्य नारीवादी दोस्तों के साथ बातचीत और संसाधनों जैसे तारशी की अभिभावकों के लिए लिखी गई उत्कृष्ठ किताब द यलो बुक से उत्पन्न मेरी रणनीति है कि सवालों का ठीक-ठीक जवाब देना, जब भी वे पूछे जाएँ। हालाँकि, मुझे उम्र के हिसाब से जानकारी देना सीखने में समय लगा।
The book explores how gender plays out in public and private institutions like family, educational institutions, work and public spaces. It illustrates the multiplicity of ways in which people live gender and testifies that even if there are gender laws, in a just world there can be no gender outlaw.
It was the beginning of what has been called the Great Male Renunciation, which would see men abandon the wearing of jewellery, bright colours and ostentatious fabrics in favour of a dark, more sober, and homogeneous look. Men’s clothing no longer operated so clearly as a signifier of social class, but while these boundaries were being blurred, the differences between the sexes became more pronounced.
I spent time reading up the basics of gender-neutral design to understand the connect between science, society and gender. Sometimes, some people try to prove that there are ‘scientific’ reasons for inequality and injustice, for depriving one set of people of the same choices and opportunities that another set of people enjoy. This is not true. Times are changing. ‘Biased technologies’ are being altered.
If a woman’s clothing is tight or revealing (in other words, sexy), it sends a message — an intended one of wanting to be attractive, but also a possibly unintended one of availability. If her clothes are not sexy, that too sends a message, lent meaning by the knowledge that they could have been. There are thousands of cosmetic products from which women can choose and myriad ways of applying them. Yet no makeup at all is anything but unmarked. Some men see it as a hostile refusal to please them.
Adeanna Cooke:
International model, featured in Playboy,
Established hacker and amateur computer programmer.
Written in one sitting in Philadelphia, Ukeles’ manifesto was a manifestation of the rage she felt when she was pregnant with her first child and a male mentor proclaimed, “Well, Mierle, I guess you know you can’t be an artist now.”
While the video’s message of women finding self-worth through beauty can be construed as sexist (our worth can’t be reduced to mere beauty and looks), and it also has the token ‘fat’ woman that one can criticise it for, one also can’t deny that the loving and acceptance of one’s body remains a universal, daily struggle of probably every woman the world over.
Travel and sexuality throws up different thoughts and feelings for us all. For me, it threw up the term travelling sexuality. I like it. Travelling sexuality. It sounds exotic or intellectual, adventurous, dangerous, depending on who you are and how you live life. A travelling sexuality could describe the way we evolve as sexual beings, shifting and changing identities.
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