Voices
This is the second part in a two-part series on SANGRAM’s work in Sangli. Read the first part here. Finding…
A gradual process of inclusion; engaging and understanding exclusion In 1992, health and human rights NGO, SANGRAM, recognised the need…
By creating a safe space to discuss these issues [of sexual abuse] and acknowledging these experiences, we can find a way to address the root cause and move forward in our healing process.
We cannot build safe spaces for ‘communities’ we work with, without having those safe spaces built for those who work within the organisation.
A 22-year-old autistic young man with low intellectual functioning I work with, recently got into trouble with the police because…
A 22-year-old autistic young man with low intellectual functioning I work with, recently got into trouble with the police because…
In my opinion, Ghosh was in search of a language of cinema which could be adequately expressive of queerness; he was slowly moving towards inventing that language, which would not be alienating to his conformist audiences, yet, would be intelligibly pleasurable to his (informed) queer viewers.
The book explores how gender plays out in public and private institutions like family, educational institutions, work and public spaces. It illustrates the multiplicity of ways in which people live gender and testifies that even if there are gender laws, in a just world there can be no gender outlaw.
Social norms don’t expect women to look muscular, but if men are muscular, it is considered sexy. Just by choosing to pursue a largely male-dominated sport that glorifies what is accepted as “masculine”, Karuna and Sibalika are pushing the boundaries of these labels.
Children in sports develop an internal lens of how the body feels, an intimate understanding of their physical self and an ownership of their bodies.
Our bodies become the form and medium through which we present ourselves to the outside world, engage with it, interact with it, perceive it and are perceived by it.
Our bodies become the form and medium through which we present ourselves to the outside world, engage with it, interact with it, perceive it and are perceived by it.
The medical ward is often continuous with the world around it. One would like to think of it as an…
The dance therapy project therefore squarely locates itself as a supplement to economic skill building and psychological counselling, in developing a holistic sense of self among the women beneficiaries of the project.
This piece attempts to think about how bodies are produced and circulate in moving registers and discourses, chiefly around the question of representation.