Tishani Doshi

Editorial – Movement and Sexuality
An abstract photo of blurred blue and white vertical lines that are spanning outwards

This issue of In Plainspeak while inviting us to embrace the joys and pleasure in movement, also questions the ways in which movements are facilitated or obstructed, visibilised or invisibilised, and the spaces that we must envision to find freedom in/to movement.

By TARSHI
May 19, 2022
Editorial – Movement and Sexuality
Interview – Tishani Doshi
Photograph of a woman with long hair in red sari, sitting with a brown dog against a background of bushes with vines and pink azaleas. The woman is resting her chin on one hand and petting the dog with the other.

I’ve essentially thought of movement as a kind of freedom, but one that has the capacity to destabilise you in some way. My most creative moments are when I’m not moving, when I am in fact rooted and still.

By Shikha Aleya
May 3, 2022
Interview – Tishani Doshi
Video – Tishani Doshi: Girls Are Coming Out of the Woods (poetry/dance)
Photograph of Tishani Doshi in the middle of a dance performance. She is wearing a pink pantsuit and has long hair. She has her legs slightly bent in a wide stance, with her palms cupped, facing outward towards the camera lens and positioned near her pubic area. A spotlight is focussed on her.

In the video section, watch Tishani Doshi perform one of her most haunting and popular poems ‘Girls Are Coming Out of the Woods’. Using the movements of/in body, music and language, it is a powerful expression of Tishani’s expansive vision of resistance, freedom and solidarity in the face of violence.

By Curated Content
May 3, 2022
Video – Tishani Doshi: Girls Are Coming Out of the Woods (poetry/dance)