SISA spaces
भाषा सिर्फ अभिव्यक्ति का माध्यम नहीं है, यह पहचान, संबंध और संघर्ष का भी ज़रिया है। भाषा सामाजिक संरचना, पहचान और सत्ता-संबंधों को दर्शाने का भी औज़ार है।
It’s time to scrape off the thick dark crusts of carelessly slapped-on murky hues of toxic masculinities and to bring out the brushes and the paints to paint masculinities in their true and glorious colours of life, freedom and love.
Gender has perplexed me throughout life. I never quite understood femininity or masculinity much – I mostly lived in what other people thought I was. One thing I did know always is that I never, ever, want to be seen as a man. But can I still hold masculinity?
My assertion of my gender was not because of masculinity, it was because of the feminism which I practised – and that gave me this chance to come back to what I was. To assert what I was and to assert what I am.
…we must also address men’s relationships with their spouses, other men, women and children in the community, and importantly, their own emotional selves to transform fatherhood. Therefore, engaging with men as fathers must involve a holistic understanding of their socialisation, emotional world, and position within patriarchal structures.
In the fast-paced digital world of clickbaits and instant gratification, where you can be ‘cancelled’ or ‘trending’ within the same minute, the very act of men talking to other men about alternative masculinities, has the ability to disrupt hierarchies of power, to disrupt the algorithm, to disrupt patriarchy.
I have dealt with having a non-masculine body since the time I was a teenager. I have questioned my sexuality and how it interacted with my non-masculine body.
He didn’t wear his identity on his sleeve, and therefore he seemed more real than most people who did.
किशोरावस्था के दौरान जब हम अपनी यौनिकता से रूबरू हो रहे होते हैं, तब सामाजिक तौर पर हमे बताया गया जेंडर ही निर्धारित करता है कि हम अपनी पहचान कैसे बना रहे हैं जो ज़्यादातर मामलों में हमारी पूरी ज़िन्दगी को प्रभावित करती है।
दो कविताएं – हवेली आधुनिकता के आवरण में क्षयग्रस्त पारंपरिक पुरुषत्व को दर्शाती है, जबकि चारपाई कठोर और लचीली अभिव्यक्तियों के बीच विरोधाभास प्रस्तुत करती है, जहां जो जिस चारपाई पर बैठते हैं, उसके गुणों को अपनाते हैं, जो भिन्न-भिन्न पुरुषवादी पहचानों का प्रतीक है।
पितृसत्तात्मक समाज में, पुरुषत्व एक विशेष प्रकार के व्यवहार के रूप में प्रकट होता है, जैसे नियंत्रण करना और हावी होना, अक्सर हिंसक तरीकों से।
Men perform an identity that they don’t fully understand. The pressure to appear strong while feeling the full range of emotions that they cannot express creates a hollow inside, creates a quiet dissonance, a loneliness that is rarely spoken of but deeply felt.
Apart from the masculinity portrayed in commercial films with heterosexual tropes, Bollywood has produced movies portraying distorted female masculinity.
Social media and dating platforms provide new opportunities for connection, but they also elevate the potential risk of harm associated with any online engagement. The anonymity of the interaction can serve both as a source of freedom and potential exploitation.