Sexuality
In this great repository of the human collective consciousness and exposure lies a wealth of tacit knowledge of COVID-19 that is independent of the subject expert.
Getting to know who I really am has been a game changer. Prejudice, anger, control and violence all emerge from fear.
ऑनलाइन डेटिंग पहली मुलाक़ात में किसी को अपने घर बुला लेने जैसा लग सकता है, लेकिन फ़र्क़ ये है कि हम फ़ैसला कर सकते हैं कि हम उन्हें अपने घर और अपनी निजी ज़िंदगी के कौन-से हिस्सों में जगह देने के लिए तैयार हैं।
With access to private spaces taken away on account of the pandemic, suddenly couples from liberal and affluent backgrounds found themselves in the same position as couples from less privileged backgrounds – desperately looking for pockets of privacy.
Why does the gap feel so wide no matter how much I explain, again and again, that I do not mean to hurt him… hurt any of them? I feel torn… but Amma and Appa need my help at home. Lockdown has been so damn hard.
I would once again be theirs, in memory, on the day my lover would die.
A part of me is strong, independent, and quick to dismiss all kinds of uniformity. The other part is bashful, fearful, and somewhat assenting to a vast compromise.
हमारा मानसिक स्वास्थ्य सिर्फ़ हमारी इकलौती ज़िम्मेदारी नहीं है बल्कि उन संस्थाओं और व्यवस्थाओं की भी ज़िम्मेदारी है जिनका हम हिस्सा हैं। इसलिए हमारी सेहत और ख़ुशहाली बनाए रखने के लिए इनका योगदान ज़रूरी है।
The pandemic and lockdown isolation made recovery harder for people with sex or porn addiction because of a lack of support systems that enabled their recovery.
So much power and so much reach in the case of entertainment can be used as a force for good or for its opposite.
The relationships that are portrayed in queer media also often transcend all attempts at categorisation, but are still undeniably queer – as are the characters whose inescapable push-and-pull, to their audience, often becomes the plot itself.
Despite the progress made, Hindi cinema still faces challenges in accurately representing the diversity of LGBTQ+ experiences. Critiques have been raised regarding the tendency to prioritize cisgender, upper-class narratives.
As individuals who are now privileged enough to address issues concerning mental and emotional health as compared to our parents and the generations before them, it is still quite disturbing to observe emotional/ psychological violence happening to women at different levels.
Directed by Saim Sadiq, Joyland (2022) is not a film about trans rights or women’s rights. It is not even about one specific group or community of people. It is about the whole spectrum of human emotions.