A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
By and large, society expects a woman to marry. Often people in one’s circle judge a woman if she doesn’t marry, inquiring about what could be wrong but most never assuming that it could be out of choice
All I have known of loving men is emotional labour, And by that, I mean back-breaking, soul-sucking toil, Oh, the relief of carrying nothing but yourself, Oh, the relief of taking nothing but pleasure from their sex
Sexuality is taboo in our context, and expressions of it publicly or even in the home setting outside the bedroom, especially by those who are not in ‘legitimate’ relationships ‘alarm the modesty’ and are generally considered anti-culture or simply categorised as Western concepts.
Safety and Sexuality… in these uncertain times of COVID-19 when most of the world is in some form or other of quarantine, safety has taken on a new meaning all together. People are encouraged to stay home, not step out unless absolutely necessary, practice social distancing, and so on. Is home the safest place to be? What about if home and family are where one feels least safe?
This movie had instantly called out to me because the book had made a huge impression many years ago when I was going through a Stephen King phase and consuming as many of his novels as I could. It is a story of resilience where a woman had to rescue herself from a dangerous situation of metaphorical and emotional bondage as well as the physical and sexual kind.
As we see through this issue of In Plainspeak, stories have in them the power of exposing brutal truths about society and therefore also bring with them the possibility of reform, change, and hope, and when not possible, temporarily escaping into other worlds.
The Handmaid’s Tale leads one to re-examine these two forms of social hierarchy that women have to navigate: one where they apparently have equal sexual rights as men but have to bear most of the brunt of unwanted pregnancies, reproductive burdens and the like, and the other extreme where their decisions including those about sexual identity and procreation are institutionalised and they are robbed of all agency and autonomy.
Considering how sexuality was a running (and selling) theme in pulp fiction stories, and female sexuality was employed as a means to titillate and attract readers, the covers often reflected this.
Much like any good erotic encounter, Balli Kaur Jaswals’ 2017 novel, Erotic Stories for Punjabi Widows, is a delightful romp that comes to a satisfying, sweet climax and an urge to fall back on the pillows.
Fragile and fleeting like soap bubbles, pleasure shines with many colours. But its iridescence is frightening for many. Perhaps because its colours change in unpredictable and uncontrollable ways, and though fragile and fleeting, it is a world in itself
Pleasure, in the context of the private, defines the parlance of sexual satisfaction. As a womxn, the private is also the public: how I present and play with my gender, is a way of seeking validation of who I am.