queer memory
दो कविताएं – हवेली आधुनिकता के आवरण में क्षयग्रस्त पारंपरिक पुरुषत्व को दर्शाती है, जबकि चारपाई कठोर और लचीली अभिव्यक्तियों के बीच विरोधाभास प्रस्तुत करती है, जहां जो जिस चारपाई पर बैठते हैं, उसके गुणों को अपनाते हैं, जो भिन्न-भिन्न पुरुषवादी पहचानों का प्रतीक है।
In this essay, I revisit my early struggles with AIDS diagnosis during the summer of 2003. The recollections allow me to rethink how the New York cityscape and coming out about my HIV status to my parents in India shapes a racialised experience with HIV and AIDS, family relations, and transnational migration. Such a racialised experience is erased within Tony Kushner’s Angels in America.
Could we imagine QAMRA as an archive that is alive, and interventionist, that is enabling the creation of a new space for dialogue while assiduously documenting the lives, work and interventions of existing and older histories?