{"id":4889,"date":"2015-01-01T11:00:20","date_gmt":"2015-01-01T05:30:20","guid":{"rendered":"http:\/\/www.tarshi.net\/inplainspeak?p=4889"},"modified":"2019-03-26T16:09:32","modified_gmt":"2019-03-26T10:39:32","slug":"brushstrokes-desire-in-dance","status":"publish","type":"post","link":"https:\/\/www.tarshi.net\/inplainspeak\/brushstrokes-desire-in-dance\/","title":{"rendered":"Brushstrokes: Desire In Dance"},"content":{"rendered":"<p>[slideshow_deploy id=&#8217;4883&#8242;]<\/p>\n<p>This series of images captures a few Indian dance forms that have over time told stories of desire.<\/p>\n<p><strong>Kathak<\/strong>, a courtesan\u2019s dance, performed by both men and women has evolved from a form of entertainment for the elite to a dance form that has reached a wide audience, particularly through Bollywood films ranging from <em>Mughal-E-Azam<\/em> to <em>Dedh Ishqiya<\/em>. [Photographer:\u00a0Adarh Upadhyay via WikiCommons]<\/p>\n<p><strong><a href=\"http:\/\/www.kathakali.net\" target=\"_blank\" rel=\"noopener\">Kathakali<\/a>,<\/strong> traditionally performed by male dancers, has grown into a more inclusive art form that allows women to perform on stage. The International Centre for Kathakali in New Delhi has written plays adapted from Greek legends, the Bible and Shakespeare for today\u2019s audiences, and added it to the 101 traditional plays adapted from scenes in the Indian epics, <em>Ramayana<\/em> and <em>Mahabharata<\/em>. [Photographer:\u00a0Josesh Lazer via WikiCommons]<\/p>\n<p><strong><a href=\"http:\/\/www.maharashtratourism.net\/culture-lifestyle\/dances\/lavani-dance.html\" target=\"_blank\" rel=\"noopener\">Lavani<\/a> <\/strong>is a folk song and dance form from Maharashtra that combines erotic or \u2018naughty\u2019 story-telling techniques with germane subject matters like politics, home and religion. Performed traditionally by women wearing nine-yard sarees, the dance brings to light one form of \u2018Indian femininity.\u2019 [Photographer: Indianactors via WikiCommons]<\/p>\n<p><a href=\"http:\/\/ccrtindia.gov.in\/manipuri.php\" target=\"_blank\" rel=\"noopener\"><strong>Manipuri<\/strong><\/a>, a classical art form, often tells the story of Radha and Krishna. It is not uncommon for female dancers to play male characters, like Krishna, in the performances.\u00a0[Photographer: Matsukin via WikiCommons]<\/p>\n<p><a href=\"http:\/\/www.panchendriya.com\/mohiniattam.htm\" target=\"_blank\" rel=\"noopener\"><strong>Mohiniattam<\/strong><\/a>, another traditional dance form from Kerala was performed by <em>devadasis<\/em> in temples, and has evolved from stories of the mythological Mohini, a seductress whom no man could resist. Mohini could be considered a female avatar of Vishnu or a transwoman, and contributes to the idea that queer sexualities had a place in the old, traditional Indian society.\u00a0[Photographer: Amith Nag via WikiCommons]<\/p>\n<p><strong>We would like to invite you to send us more photographs to add to this series!<\/strong> You can use the FB comments section below to send us your contributions. Please don\u2019t forget to tell us the source of the photographs.<\/p>\n<p><span style=\"font-size: 12px;\"><i><em>We\u00a0curate videos and images based on our monthly theme, and credit and link back to\u00a0their original source.\u00a0<\/em><\/i><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[slideshow_deploy id=&#8217;4883&#8242;] This series of images captures a few Indian dance forms that have over time told stories of desire&#8230;.<\/p>\n","protected":false},"author":294,"featured_media":4884,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,1,332,7],"tags":[234,66,25],"class_list":{"0":"post-4889","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-brushstrokes","8":"category-categories","9":"category-music-dance-and-sexuality","10":"category-visualcorner","11":"tag-dance","12":"tag-desire","13":"tag-sexualities"},"menu_order":0,"_links":{"self":[{"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/posts\/4889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/users\/294"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/comments?post=4889"}],"version-history":[{"count":10,"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/posts\/4889\/revisions"}],"predecessor-version":[{"id":16745,"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/posts\/4889\/revisions\/16745"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/media\/4884"}],"wp:attachment":[{"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/media?parent=4889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/categories?post=4889"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/tags?post=4889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}