{"id":26185,"date":"2024-02-15T11:26:00","date_gmt":"2024-02-15T05:56:00","guid":{"rendered":"https:\/\/www.tarshi.net\/inplainspeak\/?p=26185"},"modified":"2024-02-20T14:14:51","modified_gmt":"2024-02-20T08:44:51","slug":"kathakar","status":"publish","type":"post","link":"https:\/\/www.tarshi.net\/inplainspeak\/kathakar\/","title":{"rendered":"Katha(k)ar"},"content":{"rendered":"\n<p><strong>Author&#8217;s Note:<br><\/strong>Sexuality, although a private affair, has never been personal. It is an affair of a state, a corporation \u2013 a family. And it shares an almost-fused relationship with the realm of \u2018entertainment\u2019. The governing eyes throughout history have dictated the acceptable forms of the performance of sex. Both the watcher and the performer have been made aware that the rules are set, the stage is set, and where the eyes are looking, that too, is set. The co-joined poems deliberately face each other to delineate the history of performance and movement for entertainment and to re-evaluate the imposed meanings on what is \u2018sexual\u2019. The title is an amalgamation of the words <em>katha<\/em>, <em>kathak<\/em>, and <em>kathakar<\/em>. The Sanskrit words \u2018Kathakar\u2019 and \u2018Katha\u2019 gave birth to the word \u2018Kathak\u2019, an Indian dance form that trickled down in history to influence other dance forms, both theatrical and participatory. The title thus signifies the story of Performance itself.<\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">A Performer<\/h5>\n\n\n\n<p>Dents of the feet left <br>on the sacred grounds. <br>Every movement <br>a history of the <em>gharana<\/em>. <br>The performer embellished <br>with a \u2018name\u2019. <br>The body religiously <br>devoted to the <em>ghungroo<\/em>. <br>A graceful, rhythmic tale <br>performed on the stage.<\/p>\n\n\n\n<p>Dents of the feet left<br>on the maternal grounds.<br>Every movement<br>a tribute to the <em>mehfil<\/em>.<br>The performer embellished<br>with a \u2018name\u2019.<br>The body devoted<br>to its sensual pleasures.<br>An enticing, rhythmic tale<br>shared with the watchers\u2019 eyes.<\/p>\n\n\n\n<p>Dents of the feet left<br>on the travelling roads.<br>Every movement<br>A provocation for the eyes.<br>The performer embellished<br>with a \u2018name\u2019.<br>The body devoted<br>to the watchers.<br>A sexual, rhythmic tale<br>performed on the stage.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">A Performance<\/h5>\n\n\n\n<p>Inches of the high heels glide<br>in the underground clubs.<br>Every movement<br>an invitation \u2013 a celebration.<br>The performer adorns<br>a \u2018name\u2019.<br>The body devoted<br>to its pleasures.<br>A performance free<br>of prejudiced eyes.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-right\" style=\"font-size:12px\"><br><em>Cover Image: Photo by&nbsp;<a href=\"https:\/\/unsplash.com\/@aoddeh?utm_content=creditCopyText&amp;utm_medium=referral&amp;utm_source=unsplash\">Ahmad Odeh<\/a>&nbsp;on&nbsp;<a href=\"https:\/\/unsplash.com\/photos\/woman-in-white-long-sleeve-shirt-with-white-scarf-UYtEI-acsuY?utm_content=creditCopyText&amp;utm_medium=referral&amp;utm_source=unsplash\">Unsplash<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The governing eyes throughout history have dictated the acceptable forms of the performance of sex.<\/p>\n","protected":false},"author":500,"featured_media":26286,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4358,3401],"tags":[1249,450,4372,68,25,1859,4373],"class_list":{"0":"post-26185","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment-and-sexuality","8":"category-fiction-poetry","9":"tag-entertainment","10":"tag-performance","11":"tag-performer","12":"tag-sex","13":"tag-sexualities","14":"tag-voyeurism","15":"tag-watcher"},"menu_order":0,"_links":{"self":[{"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/posts\/26185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/users\/500"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/comments?post=26185"}],"version-history":[{"count":6,"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/posts\/26185\/revisions"}],"predecessor-version":[{"id":26839,"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/posts\/26185\/revisions\/26839"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/media\/26286"}],"wp:attachment":[{"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/media?parent=26185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/categories?post=26185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tarshi.net\/inplainspeak\/wp-json\/wp\/v2\/tags?post=26185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}