A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
We are two boys in our early twenties
who can read touch like that, who have broken into
a 200-year-old mansion, without permission,
to see from above where people like them go
after 377 has been read down only for those
who can stay behind closed doors — in the custody
of cheap hotels, or houses that welcome nights
with the sound of latches closing.
This reconciliation between Pallavi’s public (seemingly) heterosexual and closeted lesbian identities points to a distinctly Indian way of avoiding polarities through a new social arrangement where both identities are allowed the space to flourish.
Drag is more than a form of entertainment or art form or a form of comedic release, it’s the realization of the fun of being queer or having a queer perspective.
The spotlight that the world’s biggest sporting event (arguably) has along with the inherent gender and sexuality bias in sport come together in how sportspersons and athletes are both perceived and perceive themselves in mainstream and social media.
For the last seven years, I have been working on a body of work titled Hotel Rooms themed around fluid male sexuality, mental health, queerness, and challenging deep-rooted societal gender binaries.
Fire served as a seminal piece of media in my life for that reason, not only because of its queer themes and normalisation of LGBTQ+ relationships but because of how it normalises the pursuit of pleasure as a fundamental part of us, and not something we should be ashamed of.
In this month’s issue of Play and Sexuality, Wesley D’Souza recounts the time his school put up a production of The Pied Piper of Hamelin, his preparations for its audition, and how the process was intertwined with an exploration and acceptance of his sexuality.
Of course, I knew I wasn’t the only person in the world writing about Sherlock Holmes. I, however, thought I was the only one in the world writing about them like that. You know.
Romantically.
While Nishit Saran’s iconoclasm loomed large in his lifetime, his oeuvre as a pioneering queer filmmaker and activist seems to have been largely obliterated.
Entertainment should aim to inspire, comfort, reflect and express. Even if something violent earns big at the box office, it doesn’t justify its creation.