A digital magazine on sexuality, based in the Global South: We are working towards cultivating safe, inclusive, and self-affirming spaces in which all individuals can express themselves without fear, judgement or shame
Through our discomfort, shame, and often stubborn refusal to rise above heteronormativity, we unpacked a lot of these negative emotions by critically analysing texts that were neither the Kamasutra nor discourses such as Foucault’s on sexuality.
We need more spaces for marginalized people to express themselves. Although pop culture and mainstream media have yet to feature the diversity and representation we crave, fan fiction can help to fill in those gaps. And that is nothing short of feminist.
Though writing about feminism and being in a position to voice out one’s opinions about the injustices and inequities that continue to exist in society is still relevant, times are also changing as we begin to understand intersectionality as an all-inclusive concept and the positions we speak from.
Undoubtedly, LGBTQ+ literature and writing in India has witnessed an ‘explosion’ in the past two decades, and the trends in contemporary publication promise consistent growth in the future too. However, issues of queer representation in existing literature, and especially contemporary literature, need to be continually invested in, for literature is a key marker of society’s outlook on and reception of such sensitive subjects as homosexuality and ‘queer’-ness
As we see through this issue of In Plainspeak, stories have in them the power of exposing brutal truths about society and therefore also bring with them the possibility of reform, change, and hope, and when not possible, temporarily escaping into other worlds.
This question of appropriateness is, for me, at the heart of all questions around sexuality. Each of us carries within us our own private benchmarks for which expressions of sexuality we find appropriate, and which ones, in turn, have crossed an invisible line. The ones we believe belong across the border, in the land of the inappropriate, of the too much.
We are, all of us, trying to hold steady, and to hold space for each other and for ourselves. And so, instead of trying to put together a collection of ‘all new’ articles, this time we are republishing some ‘ever fresh’ ones on the theme of Sexuality and Representation.
The story is so well told and is written with such a light, deft hand that it is almost easy to miss what makes it so quietly radical. To review it within the scope of exploring the coming together of literature and sexuality we must begin with its central cast of characters – the widows.
So I am realising now that for me the space of borderlessness applies to everything. It applies to the physical and topographical border as it does to the borders we create between gender and their expressions. I think I would like to argue for a truly borderless understanding of the world.
हम धीरे-धीरे अपनी शर्म, असहजता, और ‘हेटेरोनॉर्मेटिव’ मानसिकता से ऊपर उठने लगे ऐसी कई सारी कृतियों का विश्लेषण करते हुए, जो न तो वात्स्यायन का ‘कामसूत्र’ थे और न ही यौनिकता पर फ़ूको की समीक्षा।